K. Clark
April 18th, 2005, 05:32 PM
Well, I’ve gone and committed myself to a little pro bono project that has escalated into a rather daunting task. My niece is graduating from a small private school along with about 55 other students and I was asked to put together a DVD video from a selection of images submitted by students and faculty. As it turns out, my niece shows up today with a box of over 350 pictures that she’s collected! Once my jaw returned from it’s gravity check of the floor I realized I have a real time consuming project on my hands.
The question is… what is the least time intensive workflow to accomplish this task? Originally, I thought since most folks have a digital camera these days it would be great to have all the images submitted electronically. I could just suck them all into Photoshop, resize, crop and spit them out as individual layers and into Xpress or Premiere. So I created a website that was simple and somewhat private for people to upload images to. (http://www.fusedog.com/ra) As it turns out most people don’t have a digital camera and I need to do a serious rethink about how to best get these 350+ images into a timeline I can work with.
Here’s what I know so far:
1. Scanning is not an option. Many images are odd sizes and the most I can do at one pass is 4. Then you have to resize, crop rotate, etc. The scanning alone would take a lifetime.
2. I could set up a kind of quasi stop-motion animation table with a camera overhead. Lay out picks one at a time on some matte black foam core and roll off 10 secs or so. I have an XL2 so I could see the remote coming in handy here. Or I could lay out a dozen or so and shoot them with my EOS 1D mkII (huge resolution). Bring that into Photoshop then slice and dice into layers.
3. This is all going to be set to music so I’d like to work with assets in the timeline that are going to be easy to manipulate (i.e. slip’n slides, pushes, pulls, pans, and a gambit of DVE’s). Frankly, I don’t know if stills are easy to work with or not in NLE’s. I’ve only ever used just static shots and not pushed them around to the best of my knowledge.
4. I am guessing that I‘ll have any one image on screen for about 6 secs or so which times 300 (after I throw out the bad pics) = 30 minutes. Which is what they want.
5. I have AfterEffects, Macromedia Director, Flash, PowerPoint, plenty of lights, cameras, tripods and a bag of C-47’s if they could be of any use. ;)
6. I wonder if there is some magic program out there that could streamline this process for me. I’m ready to spend money to get this done because if I have to do it the long way it will surely cost me mucho timeo.
Please excuse me if I’m rambling. I’m still a little freaked out about all this. Any suggestions, comments, ideas or experiences on this subject would be
GREATLY appreciated.
The question is… what is the least time intensive workflow to accomplish this task? Originally, I thought since most folks have a digital camera these days it would be great to have all the images submitted electronically. I could just suck them all into Photoshop, resize, crop and spit them out as individual layers and into Xpress or Premiere. So I created a website that was simple and somewhat private for people to upload images to. (http://www.fusedog.com/ra) As it turns out most people don’t have a digital camera and I need to do a serious rethink about how to best get these 350+ images into a timeline I can work with.
Here’s what I know so far:
1. Scanning is not an option. Many images are odd sizes and the most I can do at one pass is 4. Then you have to resize, crop rotate, etc. The scanning alone would take a lifetime.
2. I could set up a kind of quasi stop-motion animation table with a camera overhead. Lay out picks one at a time on some matte black foam core and roll off 10 secs or so. I have an XL2 so I could see the remote coming in handy here. Or I could lay out a dozen or so and shoot them with my EOS 1D mkII (huge resolution). Bring that into Photoshop then slice and dice into layers.
3. This is all going to be set to music so I’d like to work with assets in the timeline that are going to be easy to manipulate (i.e. slip’n slides, pushes, pulls, pans, and a gambit of DVE’s). Frankly, I don’t know if stills are easy to work with or not in NLE’s. I’ve only ever used just static shots and not pushed them around to the best of my knowledge.
4. I am guessing that I‘ll have any one image on screen for about 6 secs or so which times 300 (after I throw out the bad pics) = 30 minutes. Which is what they want.
5. I have AfterEffects, Macromedia Director, Flash, PowerPoint, plenty of lights, cameras, tripods and a bag of C-47’s if they could be of any use. ;)
6. I wonder if there is some magic program out there that could streamline this process for me. I’m ready to spend money to get this done because if I have to do it the long way it will surely cost me mucho timeo.
Please excuse me if I’m rambling. I’m still a little freaked out about all this. Any suggestions, comments, ideas or experiences on this subject would be
GREATLY appreciated.