Heath McKnight
March 22nd, 2005, 06:30 PM
An email from my friend, Michael Silbergleid:
"The following is taken from the March issue of DigitalTV magazine which mailed today. Keep in mind that this magazine is geared toward broadcasters...
JVC (NAB Booth C4526)
Holy crap!"
A real HDV camcorder--shoulder style. With 3-CCDs (1/3") and a real Fujinon 16x servo lens. Not just 720p/60 but 720p/24 with 1080i output as well (and SD DV). SD memory card set-up. Timecode. Four audio channels. Ready to say "holy crap?" Under $10K... with lens!
It's marketed as ProHD--professional HDV guts (overcoming the
consumer HDV shortcomings) with a body on steroids (officially the camera is the GY-HD100). Add in optional Anton-Bauer power and DTE (Direct To Edit) and things get even better.
ProHD will do for HD what DV did for digital video. This is more than just a taste of HD. Instead of comparing ProHD to other HDV cameras, at presstime JVC plans on comparing ProHD image quality with HDCAM at NAB.
ProHD cameras and decks open up a lot of possibilities, but it takes some forward thinking:
Take ENG for example. You might be thinking... "What do I do with all my 2/3" lenses--that was a hefty investment?" True, it was. Of course they may already be depreciated and the GY-HD100 comes with a Fujinon 16x 1/3" lens, so it's not like you have to buy more stand-alone lenses (a 13x wide zoom and 1/2" lens adapter are available).
But you would need HD lenses when you went HD anyway. The question really is: What are you going to do with those SD lenses and cameras?"
heath
"The following is taken from the March issue of DigitalTV magazine which mailed today. Keep in mind that this magazine is geared toward broadcasters...
JVC (NAB Booth C4526)
Holy crap!"
A real HDV camcorder--shoulder style. With 3-CCDs (1/3") and a real Fujinon 16x servo lens. Not just 720p/60 but 720p/24 with 1080i output as well (and SD DV). SD memory card set-up. Timecode. Four audio channels. Ready to say "holy crap?" Under $10K... with lens!
It's marketed as ProHD--professional HDV guts (overcoming the
consumer HDV shortcomings) with a body on steroids (officially the camera is the GY-HD100). Add in optional Anton-Bauer power and DTE (Direct To Edit) and things get even better.
ProHD will do for HD what DV did for digital video. This is more than just a taste of HD. Instead of comparing ProHD to other HDV cameras, at presstime JVC plans on comparing ProHD image quality with HDCAM at NAB.
ProHD cameras and decks open up a lot of possibilities, but it takes some forward thinking:
Take ENG for example. You might be thinking... "What do I do with all my 2/3" lenses--that was a hefty investment?" True, it was. Of course they may already be depreciated and the GY-HD100 comes with a Fujinon 16x 1/3" lens, so it's not like you have to buy more stand-alone lenses (a 13x wide zoom and 1/2" lens adapter are available).
But you would need HD lenses when you went HD anyway. The question really is: What are you going to do with those SD lenses and cameras?"
heath