Robin Davies-Rollinson
February 12th, 2005, 03:11 AM
My FX1E arrived today at last and was I glad to see it!
On went the Beachtek XLR box straight away, so I feel that having saved myself 1.000GBP, I'm now legit for shooting for broadcast...
..until I came to switch in the colour bars.
No EBU bars which are "de rigeur" for us in PAL land, just the NTSC bars.
Now, I'm sure they're very good at calibrating setup in many countries, but I don't know how some editors I know are going to feel when I turn up with tapes with non-standard (to us) bars on the front of the tape. I've read that the Z1 has both bars options, but I really would have thought that Sony should have provided EBU bars as a default for its PAL camera.
Oh well, I'm going to see if our local Sony-Broadcast dealer and workshop has a workaround...
Robin
On went the Beachtek XLR box straight away, so I feel that having saved myself 1.000GBP, I'm now legit for shooting for broadcast...
..until I came to switch in the colour bars.
No EBU bars which are "de rigeur" for us in PAL land, just the NTSC bars.
Now, I'm sure they're very good at calibrating setup in many countries, but I don't know how some editors I know are going to feel when I turn up with tapes with non-standard (to us) bars on the front of the tape. I've read that the Z1 has both bars options, but I really would have thought that Sony should have provided EBU bars as a default for its PAL camera.
Oh well, I'm going to see if our local Sony-Broadcast dealer and workshop has a workaround...
Robin