Raphael Dinge
January 5th, 2005, 09:34 AM
Hi,
I'm relatively new to video, and this is my very first post, so please correct me if I say anything wrong.
I had bought some time ago a JVC consumer DV.
Having some experience in imaging, I was very disappointed of general image quality (noise, weird sharpness, color artifacts) and I also realized that video was not like photo e.g. the dof and focal "problem".
I bought the camera for fun, so this was not a very big deal. However I'm getting addicted to film making, so now I need MORE.
Then I seek the internet and meet XL2 (hello XL2), and later mini35 kit.
However mini35 is as expensive as an XL2 from what I remember, and I don't like the 'fake' way to achieve what I do not consider as an 'effect'.
There is a lot of threads on the mini35 kit to get that "photo like" picture.
Not only to have "film look", having a short dof is needed for a lot of narrative aspects, as well as having no focal multiplier can help scouting with classic SLRs.
Canon shows more and more involvement in indie film making by adding the 24p feature.
24p feature is certainly good (in fact I don't know), but first I would like to shoot a sequence as if I was holding my old EOS reflex camera (classic SLR).
As far as I did understand, dof and focal "problem" seems directly related to the size of the ccd.
It seems easier (understand : cheaper) to get higher resolution on a ccd than increasing the surface of the ccd.
This must be the same problem than CPUs : better integration -> more on a silicon plate -> cheaper
However good digital reflex sensor are as big as 24x36 at least for EOS-1DS and DCS pro. They are not ccds, but cmos.
Even with the DCS pro, Kodak, one big ccd supplier, has finally understand that they should go for bigger imagers.
And cmos is the direction to follow.
Even if Canon does not produce its ccd itself, they are producing their cmos, so they are not likely to be tied to a specific ccd supplier.
EOS-1DS is around $6000. DCS pro is around $4000.
So my questions are :
- how many of you love the long video dof in all cases ?
- how many of you would like to put *natively* their EF lenses and have exactly the same picture as with a SLR ?
- considering canon (maybe relative) involvement (understand : marketing target) in indie film making and shorts, how many of you would/will/have ask canon to increase imager size ? (but keep the number of pixels)
- what would be the additional cost for a cmos at 24x36 but in something like 1024x576 ?
Thanks,
Raphael
I'm relatively new to video, and this is my very first post, so please correct me if I say anything wrong.
I had bought some time ago a JVC consumer DV.
Having some experience in imaging, I was very disappointed of general image quality (noise, weird sharpness, color artifacts) and I also realized that video was not like photo e.g. the dof and focal "problem".
I bought the camera for fun, so this was not a very big deal. However I'm getting addicted to film making, so now I need MORE.
Then I seek the internet and meet XL2 (hello XL2), and later mini35 kit.
However mini35 is as expensive as an XL2 from what I remember, and I don't like the 'fake' way to achieve what I do not consider as an 'effect'.
There is a lot of threads on the mini35 kit to get that "photo like" picture.
Not only to have "film look", having a short dof is needed for a lot of narrative aspects, as well as having no focal multiplier can help scouting with classic SLRs.
Canon shows more and more involvement in indie film making by adding the 24p feature.
24p feature is certainly good (in fact I don't know), but first I would like to shoot a sequence as if I was holding my old EOS reflex camera (classic SLR).
As far as I did understand, dof and focal "problem" seems directly related to the size of the ccd.
It seems easier (understand : cheaper) to get higher resolution on a ccd than increasing the surface of the ccd.
This must be the same problem than CPUs : better integration -> more on a silicon plate -> cheaper
However good digital reflex sensor are as big as 24x36 at least for EOS-1DS and DCS pro. They are not ccds, but cmos.
Even with the DCS pro, Kodak, one big ccd supplier, has finally understand that they should go for bigger imagers.
And cmos is the direction to follow.
Even if Canon does not produce its ccd itself, they are producing their cmos, so they are not likely to be tied to a specific ccd supplier.
EOS-1DS is around $6000. DCS pro is around $4000.
So my questions are :
- how many of you love the long video dof in all cases ?
- how many of you would like to put *natively* their EF lenses and have exactly the same picture as with a SLR ?
- considering canon (maybe relative) involvement (understand : marketing target) in indie film making and shorts, how many of you would/will/have ask canon to increase imager size ? (but keep the number of pixels)
- what would be the additional cost for a cmos at 24x36 but in something like 1024x576 ?
Thanks,
Raphael