Jason Bagby
September 13th, 2002, 11:41 AM
sounds like a dumb question huh? why does everyone buy a videocamera and then want to make it look like a film camera?
why didn't you buy a film camera?
have you ever thought maybe you are all so trained by hollywood that you can't associate video with anything other than COPS or a school play?
do you have a burning desire to have your image literally fall apart when you start to pan?
is video too sharp?
too crisp?
why do so many threads ask 'how do i make my video look like film'
and so few ask, "how do i make my video look GOOD"
your piece starts with image acquisition,
if you look at a film shoot, detail is always paid to lighting, camera movement, color etc. . .
if you want your video to look like film, in 'as good as film'
start out right and pay attention to the important factors.
if you just start rolling with your xl1 (because tape is cheap!)
you can easily spend enough money fixing it in post (not including the sepia tone plugins, the scratch and wire plugins, the gate weave compensation and grain generator plugins- for that real 'film look' that your cost will easily rival that of film to start with.
lets paradigm shift and recognize video for its advantages over film, and wrestle some control away from hollywood.
I have a dream that i can take a finished dv tape to my local amc theatre and say, 'can you put this in?'
why didn't you buy a film camera?
have you ever thought maybe you are all so trained by hollywood that you can't associate video with anything other than COPS or a school play?
do you have a burning desire to have your image literally fall apart when you start to pan?
is video too sharp?
too crisp?
why do so many threads ask 'how do i make my video look like film'
and so few ask, "how do i make my video look GOOD"
your piece starts with image acquisition,
if you look at a film shoot, detail is always paid to lighting, camera movement, color etc. . .
if you want your video to look like film, in 'as good as film'
start out right and pay attention to the important factors.
if you just start rolling with your xl1 (because tape is cheap!)
you can easily spend enough money fixing it in post (not including the sepia tone plugins, the scratch and wire plugins, the gate weave compensation and grain generator plugins- for that real 'film look' that your cost will easily rival that of film to start with.
lets paradigm shift and recognize video for its advantages over film, and wrestle some control away from hollywood.
I have a dream that i can take a finished dv tape to my local amc theatre and say, 'can you put this in?'