Looking for an FCP editor to join team on a very ambitious project. This project has a very lucrative upside and would allow for an editor to really show their stuff, developing a style over more than just a 5 minute short. The one thing it doesn't have is money upfront, but for the right editor percentage of ownership is a possibility. NYC based if possible. Thanks.

What I am looking for is one or two guys who have cameras, and who would like the opportunity to shoot scenes in music videos. Right now I am the only shooter, and it would be far better to have 2 or 3 cameras rolling.
We have some very talented artists to shoot, and some very good visual concepts for video.

What we don't have is much of a budget right now, but we will be gaining a budget in the near future, as some investor funds are beginning to flow. .. Also, the way the videos will be marketed, with each audio track an artist sells, they are automatically kicking in a piece of the production cost for the video and for the marketing costs--this is through our Digital Rights Management system.
I'm actually kind of suprised no one on this list is interested in the potential of DRM based video sales, as it is one of the most powerful new methods of income generation a videographer can have....If you do have an interest, ask me :-)

I have been doing a documentary for the last couple years, as it nears the end, I have had to have back surgery and cannot travel. I need someone in NYC and someone in LA that can shoot interviews. Style is all handlheld and subjects will vary from executives to celebrities. A colleague of mine will join you and ask the questions, I just need someone to shoot on miniDV (project has been mainly shot on an XL1s). You must have your own gear, good sound IS A MUST! Small budget but a HUGE project that will get an oscar push. Please reply with a resume, experience, your location and a gear list. This could be as soon as late next week. THANKS!

ash =o) ashVID@aol.com

Make a simple webpage
Get yourself on Mandy.com
Get in contact with your local Film Commission or Tourist Board. Foreign productions always contact them for help and they can then introduce you or give you an e-mail address to write to.

Good luck!

Dan Uneken
http://www.fotofilmvideo.com

I assume you want somone with a camera like yours. What about editing and mixing and all the other post stuff involved? Or is that covered.

If you are offering jobs, maybe you should post in the jobs forum?

I am looking for a person or persons with an XL1/GL1 type camera, and an interest in creative shooting.
I will handle the editing with Vegas Video, but this is an area I would be happy to have one of you guys sit in on, if you like.

When I first posted, I really thought this forum was about people with a strong common interest, who enjoyed talking about the skills and hardware and technology they use, and I further assumed this would mean some guys working with other guys on joint projects which would have "growth potential". While this is still possible, I am also guessing from the number of posts---then views without responses, that a huge number of the people in this forum are reading through posts looking for paid work--and apparently not so interested in projects which could have growth potential.

So just in case there is a "hint" of truth to this new concern I have, let me expalin some of the "REAL" benefits of working on these projects I have:

1.) My company is using technology to distribute video which is BETTER than anything anyone on this board has---it is DRM technology, and both Microsoft and Intel believe that my system is the best implementation of DRM out there.
2.) We have had about 30 phone meetings, and two actual visits from Intel staff--both Tech and Marketing...Intel is planning on using our DRM system for Return on investment in Content it is buying up, as well as helping to create, but I can't say anymore about their actual marketing strategies, without giving away information which I should not.
3). We will have a unique opportunity to create Music Videos of top Independant Artists, and then to get them LARGE national exposure on the Internet. The exposure will drive online sales of the music, which is sold through DRM wrapped files. Production costs will be paid back through a pre-defined piece of each sale, so we are not asking any of the people working with us to work for free---we are asking for people who want to work toward a common creative goal, and who are ready to believe in a final result well enough to be comfortable with this delayed gratification type of payment return. We are looking for creative people, people who want to help create a whole new type of model for video commerce.
4.) For some of the bands, we will have production "expenses" covered by investors ( mostly small investors). And for some, when we see huge artist talent, and a song with awesome visual potential, but no money behind the band, we will try to push investors behind these bands, and we will try to work on some of these bands prior to the money creation.
5.) We have a new method of music distribution--a form of Friends and Family marketing--pass along music, in which a "Napsterization" of our music will make us all allot of money ( via DRM). You can Read more about this at http://www.sfdj.com/bsn/INDEX.HTM
This is a partial copy of one of our V-mails, but not one that actually sends or forwards mail ( but it does have the appearance and music functions). It will demonstrate a new way for an artist to go from 2000 fans to 200,000 fans---and to increase their music sales via DRM, into big numbers.
6.) There is a lot more to all this than I can say here, but I will stress that I am NOT trying to get slave labor---what I am looking for is a few people who are willing to help develop a new form of video commerce, to offer their own creativity and skills, and to be paid ( primarily) by the returns the jobs we do bring in.
7.) And anyone who does help me in this project, will be allowed to use our DRM system for their own work as well! You can read more about our DRM at http://www.activeinternet.com/drm/

Regards,
Dan Volker

Dan- Normally I would love to just jump in and shoot, even if it was only for fun. However, I live a couple hours away from you, and the time and gas cost alone, is a deterrent.

I just did a couple shoots down in Miami @ $25 an hour. Not bad, but they were only two hour shoots. After gas, drinks, smokes, and tapes, I was actually in the hole. Not to mention, the drive time, the wait time, plus the shoot time, ended up being more than half the day, and it was 5 AM before I got home.

If you were closer, or I could at least break even, I would do it with a smile on my face, and a warm fuzzy feeling all over.

Dan, this particular area is for getting to know people. Now that you've more fully explained yourself, you really should post this over at the jobs forum with the same level of detail and maybe a little less manipulation and and a lot less condesending attitude.

DRM.....
MS already has powerful and succesful DRM software and services. MP3.com has been doing this for a long long time too, including the aggresive marketing of unsigned artists. Doing Music videos might be a new twist for unsigned artists, but there are places with music videos online too.

Viral marketing is already starting a backlash, friends just don't spam friends.

Insulting people in order to get them to work for you is not gonna get you any results from the people on this board.


I have Vegas, Acid Pro, SoundForge, fast PC, Mackie speakers, 24/96 recording/mixing capabilites...professional video and audio hardware and so on...., I have access to good cameras if needed I would love to work on something fun and interesting, even with deferred payment, but your presentation has left me cold. I don't uses Canon equipment either, so that counts me out.

I too would like to meet other FL independent moviemakers (especially Vegas users, but any would be welcome), but the area is pretty fragmented and unfortunately more than a little apathetic. The one time I tried to get together, I got sick as a dog and missed the opportunity, so I am going to try again.

I would suggest a more enlightened approach Dan.

Hey there,

if anyone's gonna be in the Caribbean, the lesser antilles in spefici, st martin and anguilla even more specifically, next month and the month after, get in touch. I've never done anything longer than 9 minutes befor and they've been very simply little cute films. However, I'm going to be making a film, 40 minutes approimxately in length in this time, mostly set in the Caribbean, some in the Swiss alps. I'm very new to this but it is my dream to be a film director. I'm doing it ona zero dollar budget, just whatever money I can get together really. Luckily travel costs have ben paid for me. But I'm just hoping I'll be able to get it all filmed, (im the main actor)... but getting oter acotrs is my biggest concern, i have a few people for small roles etc but I'll need to find some volunteers once I'm there. Anyway, any advice people on getting this production to work? :)

Joe,
MP3.com has NOT been doing anything remotely similar to DRM. Selling CD's through Amazon is the height of stupidity, when you consider how much better instant gratification a consumer will get from an immediate download of a music file which can be not only better quality than an Mp3 can be, but even better than a CD is typcially recorded at. And considering the moment you make a CD available, the material can be illegally copied or pirated---this problem does not exist with DRM based downloads.

There is so much to what DRM can do for both artists and consumers, it would take many pages to just provide a decent overview of this. MP3.com has no encypted online download system, which allows anything related to the e-commerce system built-in to DRM.

Microsoft does NOT actually make a DRM system that you or anyone else can buy from them.
What they did, was basically set up a set of programming blueprints, for how the Windows operating system and the Windows media player, could be controlled to manage various rules and "rights".
Right now I believe there are 11 companies in the world who have created their own implementation of DRM, and right now, argualbly, the Active Internet system is the best... At least Intel thinks so.

Viral marketing. A very dangerous area, as you have correctly pointed out. With our system however, none of the negatives apply. All we are suggesting is that if you hear some music you really like--say a new blues tune by a new band, then you will probably have some friends with the same reaction to this you would be having----the radio stinks for finding new music you like, and if you do find some good music, friends who have the same taste you do, will really appreciate the chance to hear this good new music themselves. All we are saying is, to forward the music to them---just what millions of people did when Napster was king---and clearly, there was no complaining by all these friends about their friends sending them music!!!
In our model of DRM, we can allow one or several free plays of a song, and then on the next attempt to play, the person gets a screen which alerts them to the need to pay via credit card ( 99 cents to $1.50 , depending on what the artist wants for a single) , as they are now "in" an e-commerce cart. On paying, they have a lifetime license ( if that's what the artists wants them to have--it could be a month, a year, etc. , but typically it would be lifetime). So the song will play on the computer for life, and can be downloaded to an MP3 player like a Nomad Jukebox, but NOT to a CD Rom. The Nomad, and most other decent Mp3 players, will follow the DRM protocols, and this allows the licensed use. With a player like the Nomad, DRM based music purchased and downloaded, can be listened to in a car, on your home stereo, or on your belt. With the Noamd, you can have the equivalent of 500 complete CD Roms contained in the tiny unit, no larger than a personal CD player.
I understand your concern, but as you read this, I think you'll agree what we are doing has none of the negatives of viral marketing.


Insulting people? It was not my intention. You can't see my facial expression or body language when I say something on this board, and this is a real communication problem on Internet message boards and newsgroups. I should have written more background on the why's of what I was saying, but I did not think what I was writing was offensive.
I had been reading this board for quite some time, and it really did seem to me that some members here ask for help on free projects, and a general reaction is that people should not waste their time on video projects with no budgets....There are just too many posts where people make requests like this, and there are a large number of views, but very few positive responses. I actually thought that without listing the potential benefits of the projects I have, could have been quite offensive to many sensibilities, based on the ratios on this board of requests, views, and responses.... Maybe I mis-read this, but anyone can jump in here and correct me :-)


Rather than being insulting, I was trying to quickly make videographers on this board aware that there is a better way to sell videos online, its called DRM, and I was hoping this would generate some interest. I don't even mind if someone wants to play devils advocate with this, it just seemed this should be important to this group of people.

As to the Music video and its uses on the net, even the big name artists don't have a downloadable online sales model for this, as I do. And our plans are for getting the good independant artists this advantage, and to allow the better talent to have a better shot against the big studios--to bring some balance back to a game where the deck has been badly stacked against new creativity and talent.

Camera Equipment....I have a GL1 and am buying an XL1s in the next 10 days. I don't see much of a problem mixing a PD150 or other equivalent camera with XL1s and Gl1 footage, particularly if the target footage is taking advantage of the differences between cameras....A sony could be used for a close up in a dark area, while at the same time, a Gl1 could be shooting a long shot where we want the shadows exagerated. And on and on. If you think I'm a jerk, then this is irrelevant....if you're willing to consider the chance that I just did not come across the way I intended, then maybe you still might want to try one of the upcoming projects.

One of the guys I work with, Charlie D Diaz, is an awesome music composer, as well amazing in mixing tracks. He has a great stable of independant artists he is working with now, and this represents great material for us.

I am not looking to be greedy with this stuff, or I would not have posted about it here--I'd just use it myself, and believe me, I can "hire" what I need. Sorry again if I offended anyone.

An in-person "meet" would be a much better way to judge this whole thing---at least I think it would be easier to avoid mis-comunications.

thanks for being more clear about all this. MS does sell a media server along with media management software, but there is always room for competition, espcially if it can be done on Linux or other competing platforms. Anyway, now that you've explained it better, it sounds promising, though there is always risk involved with any venture. Initially it did sound like you were trolling.


I've talked to a local raggae artist who said the people he knows don't want to use DV to shoot their video. they want film, even 16mm, if that's all the company has, problem is they want to do it on a DV budget. Oh well. I've mentioned the DVX100 to them, but they can't get "DV" out of their brains.

good luck. I'd love to sit in on a shoot.

P.S. I just bought a 24fps super8 film camera with a 77mm 1:1.7 glass lense, and sync burst support. Just have to figure out how to fix the power connection to get it to work. That would be a great camera to do a low budget music video with.

I am a little out of the area but I would love to help.

I should have done this a long time ago. I'm a Houston-based XL1s owner, plus I have a lot of other gear.

I've been freelancing for about a year and a half, and have developed a significant amount of skill and talent in that time.

Sorry, I'm seeking paid work only, as I have done a fair share of free gigs, and now have a steady one. I will work relatively cheap however.

Email = joshbass@sbcglobal.net

Hello,

Coming from a Sony PC-5 (sorry) I have shot and edited a couple a documentaries (3-35 minutes) of mostly vacations, events, weddings and parties (Premiere and then Vegas).
I now own a XM2 (PAL version of the GL2) with a WD58 and ME-66 (waiting for a MM-1 mic pre-amp).

You can see some stills from the first doc I’ve made with the XM2 during some anti-war protests (DC and NY)… freezing 10F..fully automatic (picture and sound)… this ME66 is way too hot … and my fingers were way too cold !

http://natzo.com/article.php3?id_article=10

If you want to see some grainy and interlaced stills from my PC5 era (+ my first DVD cover) :
http://natzo.com/rubrique.php3?id_rubrique=3

So I’m interested in any filming activity (doc, movie…) in the DC area (including MD and VA). It’s a hobby so I’m doing it just for the fun of it !

PS: I hope that owning a PAL gear will not be a problem.

Thanks
Dany

---------------------
dany@natzo.com
www.natzo.com

Hi Joe,
You've obviosly spent some time researching the streaming technology, but others reading this may enjoy a brieif overview of some more on this....

The server software Microsoft sells is definitely worth bringing up. Their newest for streaming, Corona, allows us to have a video playback to consumers as "instant on", with less than 2 seconds of buffering---this is a big deal if you want a 10 minute or 60 minute online video to stream instantly----this is where the lame progressive download type "stream" that Quicktime is known for, destroys the medium for consumer acceptance. Also, it is supposed to allow us to do one encode to a high bitrate and quality, and the "server" will stream it as fast to the consumer as they can take it--actually creating the optimal bit rate for each consumer --the server does this, not our encode...! ( I will be trying this data rate function on a new server in the next week or two).

This side to online video is where we as videographers, can make sure a consumer gets to see a "preview" of the video immediately, in high quality. We "can" use DRM for this, but usually, we only use DRM for video which people download onto their hard drive, as opposed to using it for streams where most people won't be capturing the video on their hard drive....typically, the consumer watches a short preview via the stream, and if the video is good, they get "pregnant enough" to decide they want the download file --they decide they want to purchase the whole video. This download file would be DRM wrapped, it would be the full length, in high quality, and it would be for download to the hard drive. The artist/videographer/client for the video project has already determined what "rules" the DRM file will follow on the consumer's computer--things like, should they be allowed a lifetime play license, or should there be a time period, things like one free play then pay next time--or no free plays; things like "Do Not Allow CD Burning", or if its an audio track, a rule which "allows" the consumer to download from their computer into an MP3 Player like a Nomad Jukebox ( Creative Labs).
You can sit these DRM wrapped video files on a Windows http server, or you can sit them on an Apache server ( linux)----they are just downloads, so the stream server issue does not apply here.


When I hear that an artist does not want a DV music video, it suggests to me they have seen one or more bad examples, of bad lighting, bad composition, etc., and or that the artist wants a $400,000 35 mm film based music video.
In any event, there are many, many artists out there who do not share this myopia, and who would embrace the opportunities we can share with them.



The next time we are shooting one of the Breakout Records artists will be in mid to late June---maybe you would be interested in showing up and helping, hanging out, whatever--in any event, consider yourself invited.

I'll post again when we are about 9 days out from planning a shoot.

Ready to shoot seems to be the norm around D.C. I got a GL2 too and I've been trying to find some work to do, but don't really know anyone in the area. It's a shame there aren't more people from D.C. around here.

I'll probably be shooting a short in the city later this fall... if I can find enough actors. It be nice if we could get all the people in the area together sometime that would be interested in doing a small project, I'm sure there are loads of people around here that are into film and video production as a hobby.

I'm in Houston now, but I'll likely be moving to Austin in about a year. I was going to take a trip up there with my so called demo reel and see if I could find some people who might take me on when I get up there.

Does anyone know of good places in Austin for a guy who's still relatively new to the biz? Freelance, production houses, whatever.

Thanks, let me know.

Hi gang,

Without going into specific detail, we're seeking DV crews to assist in shooting a documentary on rock legends Chicago. Now in their 36th touring season, Chicago is second only to the Rolling Stones in longevity.

Need crews for the following cities: Philadelphia, Atlantic City, Long Island (Jones Beach), Atlanta and Chicago.

Please review the working website at http://www.geocities.com/chitribute/index.html

Check out our previous DV work at http://www.boundbycourage.com

Thanks,
Lou

Oh. At first I thought you meant a doc on the Rockies. That I could help you with.

How you doing, Lou? Nice to see you hanging out here, now.

I've come a long way since we last spoke. Now I'm shooting and editing my own stuff.

Those are pretty rookie-looking turnouts you and Amy are wearing in you Web photo. Need to get some dirt on 'em.

Say hello to Amy for me.

Charles
http://www.centralcolorado.com/newcomb

Hello Lou,

I'm from the lehigh valley area, and have access to 2 XL1-s cameras with acc's with personal and i'm interested in learning more about your project ahd how i could help out.

E-mail me at either miker@worktaskmedia.com or msr6@lehigh.edu

Thanks
~Mike

Lou:

If your looking for crew in the Atlanta area, I would be interested I shoot on XL1 or PD150 along with complete light/sound kit.

Michel

Hello everyone! I'm an actor/writer/director who just can't get a break. Trying to deal with agents and production companies to help you out can be quite stressful, if you don't have the right connections. So, I have decided to shoot the moon and give it a go all by myself (and hopefully with a little help from you guys!)

I recently bought a Panasonic AG-DVX100, tripod, dolly, Sennheiser ME66/K6, and some build them yourself lights which I like to call lego lights. I was hoping to meet some people on here that wouldn't mind working with $0 budget (spent it all on equipment) or with a first timer. I would need pretty much everything ranging from actors, grips, everything...

Here's hoping for some replies!

Hi Michael- Welcome to the place. I'm sure you'll find plenty of folk in Fla. This board has several members scattered thru out the state, myself being on the Space Coast.

Thanks for the welcome Keith. And oops! See, I already forgot to mention where I'm from. I'm from Hialeah, FL. I hope to find some nearby neighbors.

The Space Coast is very nice. :)

I just did a couple of shoots down your way. I tell ya... coming home, that is the longest 3 hour drive!

I am located in Miami, FL and can help you.. my contact information is below

We're doing a short right now and our biggest obstacle has been finding quality actors in the area. If anyone here knows of free casting sites that cover the D.C. area that would be very helpful. We found one so far that seems to be the most comprehensive for finding non-sag actors. www.actorscenter.org

What are your shorts about?

Good luck with your new future Michael! If I was in your part
of the world I'd be sure to join up.

Hi Lou,
I'm located in Chicago, fully equiped - PD150's-sound and lighting. I knew Terry Kath and remember the band when they played local clubs in Chicago before the went to Europe to make a name for themselves. I've got a pretty full schedule of stuff coming up but let me know what the dates are and we'll see if we can work something out.
Don B.

I am a videographer in rochester NY and I have a wedding coming up where i am going to need more equipment.....Is there anyone in my area who could rent me a Wireless system and a 3 chip DV camcorder and a tripod....I would greatly appreciate this and I would be willing to help out any locals with extra equipment and time as well.

Thanks

Oh yeah I forgot I will need it for Saturday June 14th. I will be able to return it late that night or first thing in the morning.

Thanks Again

If you don't get any help you might be able to rent such equipment
at rental houses.

There arent any in this area...I would have to drive to Buffalo

I registered awhile back to produce a short for the Lady X film project. So the film will be about 5-7 minutes long and set entirely in D.C. I think I'm going to have a couple scenes. Most of them out on the National Mall, and probably one at National (Reagan I think it's called now) Airport.

I haven't even bothered to try to find actors. I'm planning on having only 3 or 4 characters in the short. Already have one person locked up to play a key role, and there is going to be very very little dialogue in the short, since it's supposed to be fast paced action/mystery. John Locke just completed an excellent introductary short to the Lady X series. You can check it out at www.ladyxfilms.com.

I attend the University of Maryland at College Park, and I know there are a lot of people there interested in acting. The West Wing has solicited students from the University for walk on/extra roles on their show.

Josh,

I live in Austin, and like everywhere else in the country, biz is in a slump, or even more on the nose, in the toilet. This is the combined effect of our horrible economy nationwide, along with runaway production. That said, there are a good number of opportunities for growth here, more so than many other cities in the country.

However, Austin, since it has been poised for so long to be the "Third Coast", has developed a slight case of elitism. It has become somewhat hard to break in here. My advice to you would be to get your own plan as to how you would run your own video business, and give that a whirl. You will have a higher chance for success than if you try to get a job somewhere right now.

Also, you will have positioned yourself above the level of "I'm needing a job" in the process. I learned this lesson the hard way, and after three months of damn near nothing, as I just moved here last September, I said the hell with it, I'M HIRED, and went into things with that approach, and it has been night and day.

At any rate, the same places you're probably familiar with post jobs, like the Texas Film Commission, Mandy.com, and other job boards as well. But, as you've noticed, the pickins are slim right now. My best advice I can give you is carve a niche of your own, and then spread out from there. If you want to talk more about Austin, you can send me an email at todd@ducttapefilms.com

Do you have an address where to send entries for the film festival you plan to have in July?

Explain how you proceeded after your epiphany. You made business cards? Advertised in the paper? Online? Got yourself in the Austin Production Guide (if there's such a thing)? I am, in essence, a studio. I have an NLE, a camera, several lights, a real monitor. All I really need in more HD space, a faster comp, and possibly another cam (but not necessarily, right friends?). I am by nature a wussy and don't want to spend assloads of cash on ads when I a) don't have full confidence that I won't ever screw up on the job and b) don't know for sure if I'll ever get that cash back.

I am doing anything and everything I can in the pursuit of business, including low tech methods like hanging up flyers on bulletin boards which works suprisingly well, perhaps even better than most other methods, I've noticed. If you're already listed in the Texas Production Guide, that's really the only listing that I'm aware of.

As far as more HD space goes, the next drive I'm going to get is one of those Firewire/IDE drives with 120 GB removable cartridges, incredibly cost effective ($300+$20/cartridge). you do need another camera to closely match your XL1s, I'm selling my XL1, since I'm using my DVX100 now.

As far as not having confidence you won't screw up on the job, well, that can work for your benefit, as you will have the tendency to fine tooth comb all your work I imagine. Perhaps, getting some daily E&O insurance for your shoots might put your mind more at ease. As far as advertising costs, I try to find the most inexpensive, result oriented, ways to advertise and proceed that way, you don't have to spend a fortune on it.

Sounds interesting,

I'm in the Tampa area (Clearwater) and may be interested in working with you if I can find the time to drive to your area during the shoots. It is a ways from me though.

Even though I'm still weighing the pros and cons of the camera, I'll probably be purchasing a DVX100 camera very soon. I also use Vegas Video 4.

Hey i live in buffalo but i dont have any equiment(planning on buying a vx). We should stay in touch Scott. Is there any good camera stores in Rochester????

Not really theres Rowe Photo and Video...But there pretty much consumer level. I just order my stuff from B&H Photo. If you ever need anything just let me know as I am just a hour down the thruway from you.

I'm looking for people in the San Luis Obispo area to help me out with a movie I am going to be shooting this summer, hopefully starting the first week of July. I need a few people for basic crew stuff (camera operator, sound recorder, lighting guy, etc.) and I need actors!
This will not make you rich. This will not make you famous. This is an experiment to see if I can get people out of the woodworks to help me with this thing. I'll use my friends if I have to, but I would much rather have people who have been trying to get involved in things like this. I can't pay anybody, and I barely have enough to buy a few things I need to pull this off. But this is a serious project, and I need help.

Who's with me?

Contact Miles (miles@babyduckdesign.com) if you're close by and interested.

Iam getting a VX soon and iam looking for a summer job (iam only 17) If you do weddings i would be glad to film with you

I moved the thread to this forum where crew calls should go.

I noticed that there are many people from Japan on this board. And am desperately looking for an internship in Japan. The field of work should be 3d-Graphic or videoproduction.

But I am absolutely lost! Could you help me out by naming some companies? Some links would be great!

Greetings from Germany and thanks in advance!
Daniel Wichterich

Hi Jim,
I'll try to give considerable warning before we shoot again.
We just found a girl in a local Superstars competition, who will be perfect to sing and perform the song we want to use for the next music video.
I look forward to having you shoot with us.

Hey Guys I'm in Miami FL, im also looking for fellow filmmakers. I have my own company www.detourrecords.com
I've already shot several music videos on the XL1s and will be shooting a short film later this year. Michael I'm not to far from Hialeah get incontact with maybe I can help you.

If you have any Production in the Key's.
I am looking for some projects to work on the side.
Im a producer for Channel 5 in Key West.
I have 5 years of experiance in Production and Post
Own my own kit as well.
Easy to work with.
Living the Island Life but will come up to the Mainland for exciting projects.
Good luck in your endevours
Let me Know If I can give you a hand.
Contact info dwelsdfl@excite.com

Gerald,

I saw your music videos a while back when you posted them. I would like for you to meet my partners and I, So we can discuess future shoots. I am sure we can both help each other out.

My partners and I meet here in DVinfo. and we started a production unit. We have all equipment, (lighting, cameras, steadycam with full body vest, and more) We also use Canon XL1s Cameras.

Let's talk some more..