Jay Gladwell
October 23rd, 2004, 06:16 PM
The hands on seminar today went very well I thought. Actually, I learned several things I hadn't known before (which isn't hard to imagine).
The presentation was given by New York-based cinematographer... crap, I've already forgotten the young man's name. He actually worked with Canon in the development of the XL2. Interestingly enough, the XL2 is designed and engineered by one person, instead of a team. Canon is of the opinion that this approach is better. This way the engineer knows the camera--hardware and software--frontwards, backwards, inside and out, up and down. (Heaven help us if this guy kicks the bucket!)
Anyway, the cinematographer/videographer was given the task, by Canon, to take the basic production model--body, 20x lens, and color view finder, and shoot several "professional" situations. One of the most impressive to me was a night shot (low light) of three pretty girls in a car at night driving through Times Square. It was beautiful. Shot with available light, no color/contrast enhancements in post. Everything done in-camera, then edited and burned to DVD. Superb!
Another was shot inside a theatre of some Spanish musicians and a dancer. Again, all color & contrast was controlled in the camera, not in post. I honestly believe that if it were shown without previous knowledge, the audience would never image it was shot on video. The image was gorgeous!
I did ask if there were copies of the DVD available. Unfortunately, at this time there are not.
One thing that surprised me was he went through the entire camera, from front to rear, showed each button and feature with a detailed explanation of each item and showed what they did. He did the same thing with the Menu. Frankly, I found that to be very informative presentation.
One more thing that impressed was that he never made one single disparaging remark about other brands. Actually, quite the contrary. He metioned other brands and said they were excellent cameras and how they differed from the Canon. However, none of them had the versatility and flexibility of the XL2. That's what originally sold me.
I walked away with the confirmation that I had invested in a very "professional" grade camera that is capable of delivering stunning images.
The bottom line is if you're not getting great images, it's certainly not the fault of the camera.
Thanks again, Chris, for letting us know about this, because I would have missed it were not for you!
Jay
The presentation was given by New York-based cinematographer... crap, I've already forgotten the young man's name. He actually worked with Canon in the development of the XL2. Interestingly enough, the XL2 is designed and engineered by one person, instead of a team. Canon is of the opinion that this approach is better. This way the engineer knows the camera--hardware and software--frontwards, backwards, inside and out, up and down. (Heaven help us if this guy kicks the bucket!)
Anyway, the cinematographer/videographer was given the task, by Canon, to take the basic production model--body, 20x lens, and color view finder, and shoot several "professional" situations. One of the most impressive to me was a night shot (low light) of three pretty girls in a car at night driving through Times Square. It was beautiful. Shot with available light, no color/contrast enhancements in post. Everything done in-camera, then edited and burned to DVD. Superb!
Another was shot inside a theatre of some Spanish musicians and a dancer. Again, all color & contrast was controlled in the camera, not in post. I honestly believe that if it were shown without previous knowledge, the audience would never image it was shot on video. The image was gorgeous!
I did ask if there were copies of the DVD available. Unfortunately, at this time there are not.
One thing that surprised me was he went through the entire camera, from front to rear, showed each button and feature with a detailed explanation of each item and showed what they did. He did the same thing with the Menu. Frankly, I found that to be very informative presentation.
One more thing that impressed was that he never made one single disparaging remark about other brands. Actually, quite the contrary. He metioned other brands and said they were excellent cameras and how they differed from the Canon. However, none of them had the versatility and flexibility of the XL2. That's what originally sold me.
I walked away with the confirmation that I had invested in a very "professional" grade camera that is capable of delivering stunning images.
The bottom line is if you're not getting great images, it's certainly not the fault of the camera.
Thanks again, Chris, for letting us know about this, because I would have missed it were not for you!
Jay