Marcia Janine Galles
August 14th, 2004, 04:56 PM
Hello all. As production wraps up and I hurriedly begin briniging in footage, I have a question concerning one tape which was accidentally shot 30i while the rest of the documentary was shot 24pA on the DVX100. Not that it matters now, but what happened was that in the heat of the moment my camera operator didn't flip back to F6 from F1 after setting color bars, and as luck would have it, that very early morning footage turned out to be pretty special. There is other stuff we got as the weeks went by that I can use in its place, but nothing (IMO) as touching as what that particular tape has on it, if it can be salvaged. Which brings me to...
I shot with the DVX because: a) it looked richer and more "filmic" (IMO) than the other options available to me; and b) I've had (modest) studio interest in the story and 24pA seemed like the best choice (on my budget) for a possible future transfer. That said, can any of the products out there, any of the post tricks/software debated here and elsewhere, be used on the 30i footage to genuinely mimic how I shot the rest? And if they come close, does anyone have any samples? Is it worth the money and effort to even try? And would how you answer that change if this really were to be blessed by the powers that be and go to a film out for theatre projection? I've seen plenty of docs at screenings that no doubt didn't look all that bad on TV and PC monitors, but blown up looked pretty sad in big screening rooms, so I'm more that a little skeptical that anything really is worth the shot... but still.
If time and money were no object (yeah, right!) I'd invest in various options and simply see how good I could make it, whatever the cost and however long it took. But when I have to cut over 90 hours to 90-120 minutes myself, and have it in someone's hands by mid-October, scored, it seems crazy to even consider taking the time. Then again, I love the footage, and if I wasn't nuts I wouldn't have taken all this on in the first place. ;-)
Thoughts? Suggestions?
Marcia
I shot with the DVX because: a) it looked richer and more "filmic" (IMO) than the other options available to me; and b) I've had (modest) studio interest in the story and 24pA seemed like the best choice (on my budget) for a possible future transfer. That said, can any of the products out there, any of the post tricks/software debated here and elsewhere, be used on the 30i footage to genuinely mimic how I shot the rest? And if they come close, does anyone have any samples? Is it worth the money and effort to even try? And would how you answer that change if this really were to be blessed by the powers that be and go to a film out for theatre projection? I've seen plenty of docs at screenings that no doubt didn't look all that bad on TV and PC monitors, but blown up looked pretty sad in big screening rooms, so I'm more that a little skeptical that anything really is worth the shot... but still.
If time and money were no object (yeah, right!) I'd invest in various options and simply see how good I could make it, whatever the cost and however long it took. But when I have to cut over 90 hours to 90-120 minutes myself, and have it in someone's hands by mid-October, scored, it seems crazy to even consider taking the time. Then again, I love the footage, and if I wasn't nuts I wouldn't have taken all this on in the first place. ;-)
Thoughts? Suggestions?
Marcia