John Warren
August 2nd, 2004, 07:06 PM
I've been putzing around in Premiere/AE for about a year, but never had the impetus to actually take a project all the way to DVD. I shot a friend's wedding about a month ago, and she's putting the proverbial thumbscrews to me to get her project done. I finished a rough-cut and wanted to see how it was going to look - saving the timeline as an avi, then attempting to encode using Encore. I got a "disk full" message 2/3rds of the way through the Encore process, which didn't make sense as I had 60+ gigs free. I then used Premiere's (latest rev.) DVD encoding, and got a DVD readable on my normal entertainment system. Three things I noticed right off the bat:
1. The footage seemed slightly lighter.
2. There were noticable artifacts.
3. The MP3 files I used seemed somewhat (further) muffled.
I've read that Adobe's encoding leaves something to be desired - so today I ordered Canopus' Procoder 2.0, as I do boardsports photography and DV as a hobby, and want the cleanest final product possible within the realm of a comsumer budget. So, while the Procoder's on the way, I thought I'd get your opinions of the best workflow.
I'm using Photoshop CS, Premiere Pro, AE Pro and Encore, and now adding Procoder. Do I:
1. Export my finished timeline in Premiere to an AVI, use the Procoder simply to encode, then bring the MPeg-2 file into Encore so that I can create my menus, etc. in Encore - or is Encore going to further compress what Procoder already did?
2. Will I really get better results with Procoder?
3. Should I be using .WAV files in my timeline for the best audio fidelity on the finished product?
Any other input would be great - thanks in advance!
1. The footage seemed slightly lighter.
2. There were noticable artifacts.
3. The MP3 files I used seemed somewhat (further) muffled.
I've read that Adobe's encoding leaves something to be desired - so today I ordered Canopus' Procoder 2.0, as I do boardsports photography and DV as a hobby, and want the cleanest final product possible within the realm of a comsumer budget. So, while the Procoder's on the way, I thought I'd get your opinions of the best workflow.
I'm using Photoshop CS, Premiere Pro, AE Pro and Encore, and now adding Procoder. Do I:
1. Export my finished timeline in Premiere to an AVI, use the Procoder simply to encode, then bring the MPeg-2 file into Encore so that I can create my menus, etc. in Encore - or is Encore going to further compress what Procoder already did?
2. Will I really get better results with Procoder?
3. Should I be using .WAV files in my timeline for the best audio fidelity on the finished product?
Any other input would be great - thanks in advance!