I am just wondering if anyone with the Canon 5d Mark II has used Motion Perfect for converting the 5D30p to 24p. See:

Download MotionPerfect - Shareware Software - Tucows (http://www.tucows.com/preview/319657)

Personally, I will either slow the footage down to 24p, or just go with 30p. If I want to give it more stutter, I'll just give it some more light and shoot at 1/80.

If I was in PAL-land and needed to go to the tele, or if I needed to do a film-out, I'd be forced to convert.

Using software to estimate what the frames should look like doesn't sound like the path to the best quality. And the whole reason that most people want to go to 24p is simply to improve the quality of their look.

Once we get a 24p firmware update, I'll gladly shoot at that rate. In the meantime, I'm not going to sweat framerate conversion. I've seen how it can go wrong, and it ain't pretty.

I'll take that as a no from you, Jon.

People have been using software to convert to 24p with success for a lot of years. That was 60i to 24p. So I am wondering if anyone has experimented with this process. Phil Bloom has done some nice stuff using a method in Final Cut.

I have used Cineform in Vegas to convert, with some success, but high motion is an issue.

So anyone used this program for anything ?

I never heard of it until you mentioned it, but if you Google it, you will find a few online reviews about it.

I'll take that as a no from you, Jon.

People have been using software to convert to 24p with success for a lot of years. That was 60i to 24p. So I am wondering if anyone has experimented with this process. Phil Bloom has done some nice stuff using a method in Final Cut.

I have used Cineform in Vegas to convert, with some success, but high motion is an issue.

So anyone used this program for anything ?

Compressor with Final Cut is the standard for this kind of conversion on the Mac. I want to try MotionPerfect on my PC but the installer is still waiting on my desktop.

I did see a web site that compared four products and showed interpolated frames of each. The site was old and did not include compressor. MotionPerfect tied for best of those four. It actually looked pretty decent. The other two really sucked, including one still on the market.

I started a thread here asking some Mac user of compressor to post access to a native 30 fps file and then a 24 fps file that compressor created so I could compare the results with MotionPerfect. I got no response in that thread from any Compressor user.

Thanks Mark.. I have used the demo version. It only will do 15 second clips. So far looks pretty good.

I have used Cineform in Vegas to convert, with some success, but high motion is an issue.

I can't imagine to work with a tool that is content dependent! We need tools to help us, not to be another burden. That said, HDV and high motion are not very good friends neither...

Any direct link to the best way to use compressor > 24p?

I would sync externally recorded audio first

Is this really a useful workflow?
Inquiring minds Want

J

I started a thread here asking some Mac user of compressor to post access to a native 30 fps file and then a 24 fps file that compressor created so I could compare the results with MotionPerfect. I got no response in that thread from any Compressor user.

Hi Mark... sorry I didn't see that thread - and don't have access to my editing system right now. However, I've used Compressor extentsively to change 30p to 25p. With 95% of footage it works superbly - with frames frozen at 100% any resolution / detail loss is imperceptable. I've compared dozens of frames with the original and find it very difficult in most cases to discern any degradation in the image. And this is comparing stills! It's really very good.

However, as Jon says, occassionally it really loses the plot and for half a second areas of the image get skewed all over the place. The process is also painstakingly slow.

I just did a test with Motion Perfect, slowing a 30p to slow motion at 24p. Worked well, except in got lost when a hand passed over lettering on a shirt. Really got distorted in that area briefly..

I just did a test with Motion Perfect, slowing a 30p to slow motion at 24p. Worked well, except in got lost when a hand passed over lettering on a shirt. Really got distorted in that area briefly..

In that sample of four they picked several frames that got "lost". All four looked lost but two looked acceptable, two looked like a modern art painting.

That is why I want to see compressor directly and fairly compared. It's all relative.

Hi Mark... sorry I didn't see that thread - and don't have access to my editing system right now. However, I've used Compressor extentsively to change 30p to 25p. With 95% of footage it works superbly - with frames frozen at 100% any resolution / detail loss is imperceptable. I've compared dozens of frames with the original and find it very difficult in most cases to discern any degradation in the image. And this is comparing stills! It's really very good.

However, as Jon says, occassionally it really loses the plot and for half a second areas of the image get skewed all over the place. The process is also painstakingly slow.

I would be very grateful if you could pick a 15 second clip straight from the 5D2 and then converted to 24 and/or 25. There should be some motion frames that stress it. I can give you somewhere to post the two or three clips. Then chris and I could try the same conversions on the PC.

There is no rush. I realize that you would be doing us a favor and not getting anything in return. Maybe you could do it for the good of mankind (forumkind?). Maybe it will be a chance for the Mac users to show off.

If you want I'll shoot and post the original footage for you.

However, as Jon says, occassionally it really loses the plot and for half a second areas of the image get skewed all over the place. The process is also painstakingly slow.

One general comment. When the interpolation is important, like for theatre showing, you can replace bad frames with hand-made ones from photoshop. Not fun, but possible.

Does this help anyone???

VIDEO COPILOT | After Effects Tutorials & Post Production Tools (http://www.videocopilot.net/tutorials/frame_rate_converter/)

I would be very grateful if you could pick a 15 second clip straight from the 5D2 and then converted to 24 and/or 25. There should be some motion frames that stress it.

I have converted a 15 second clip of some kids mucking around in a stream to 24p. Lots of motion, not a very pretty clip. In fact it really shows up motion's limitations in frame conversion. This is kindof a worst cast scenario.

When I've converted talking heads and clips with limited or predictable motion it does a great job.

I have sent you a link by PM. Anyone else who wants it can mail me and I'll let you know... not going to post it publicly as I have limited bandwidth.

Thanks,

Josh

I have converted a 15 second clip of some kids mucking around in a stream to 24p. Lots of motion, not a very pretty clip. In fact it really shows up motion's limitations in frame conversion. This is kindof a worst cast scenario.

When I've converted talking heads and clips with limited or predictable motion it does a great job.

I have sent you a link by PM. Anyone else who wants it can mail me and I'll let you know... not going to post it publicly as I have limited bandwidth.

Thanks,

Josh

Thanks mucho. I'll run motion perfect tomorrow. If anyone is interested I can host them on my host. In any case I'll post here the frames that best show the differences.

I have converted a 15 second clip of some kids mucking around in a stream to 24p. Lots of motion, not a very pretty clip. In fact it really shows up motion's limitations in frame conversion. This is kindof a worst cast scenario.

When I've converted talking heads and clips with limited or predictable motion it does a great job.

I have sent you a link by PM. Anyone else who wants it can mail me and I'll let you know... not going to post it publicly as I have limited bandwidth.

Thanks,

Josh

I ran your original clip through motionperfect and then put the 24fps compressor output on one line of premiere and motionperfect 24fps output on another track. Then I stepped through individual frames flipping back and forth between tracks. I also stepped through one and then the other. (Just random samples because 840 frames were too many to do them all).

Comments:

1) Motionperfect appeared to crash at the end, even though it did all 15 seconds. This trial is limited to 15 secs so that may have something to do with the crash.

2) Motionperfect required an avi file so I used neoscene. This doesn't affect the actual input frames. It does slightly affect the job motionperfect had to do because it converted 29.97 to 24fps instead of 30fps to 24 fps.

2) Motionperfect put out a GIANT file. This might have something to do with the crash:

86 mb Your original
106 mb Your 24fps file.
319 mb After original -> neoscene conversion
2.3 gb After motionperfect conversion to 24fps

3) The compressor output looked like simple frame blending with no interpolation. I think you had something wrong with your settings. I could have gotten the same results by telling premiere to export at 24 fps. Here are two consecutive frames. They are typical of all the frames in the compressor output.

http://elleh.com/public/comp-1.jpg
http://elleh.com/public/comp-2.jpg

4) The motionperfect output blew me away. I had trouble finding artifacts. The two frames I chose to use (same two as above) had the worst defects I could find. Look at the bottom of the right leg which is moving pretty fast:

http://elleh.com/public/motp-1.jpg
http://elleh.com/public/motp-2.jpg

I will try to find out how to get the giant motionperfect output file into a reasonable size so people can download it and see what I saw. I'll start by contacting support.

All in all I am very happy that good tweener frames can be produced. Now it is just a matter of getting the software to work right.

Can you please take another stab at the compressor conversion?

P.S. My output had the blacks crushed. I know neoscene doesn't do it so motionperfect must have. So that is another thing to bitch to them about.

The compressor output looked like simple frame blending with no interpolation.

I agree, and I could've sworn I've gotten better results out of compressor in the past. However, I tried again several times, outputting to different formats in both 24p and 25p, with the same result.

Each time I had "High quality motion compensated" checked, as per the pic. Hmmm...

I agree, and I could've sworn I've gotten better results out of compressor in the past. However, I tried again several times, outputting to different formats in both 24p and 25p, with the same result.

Each time I had "High quality motion compensated" checked, as per the pic. Hmmm...

Maybe we should start a new thread asking for compressor users to show it doing interpolation. I'd do it but I'd come across as a PC user Mac-baiting.

It is very easy to tell the difference between frame blending and interpolation. Frame blending has the constant blur problem and interpolation has less frequent, but worse artifacts.

Right now I'm not sure motionperfect is good enough for my needs. But it is definitely a step in the right direction, especially if I fix bad frames in photoshop.

Here is a motion perfect render. I liked what it looked like in general, but if you watch "qi" on the teeshirt at the very beginning, you will see an aritfact from the motion perfect render.

Here is a motion perfect render. I liked what it looked like in general, but if you watch "qi" on the teeshirt at the very beginning, you will see an aritfact from the motion perfect render.

A few frames after that his finger pointing up is only half-width. I think what you are seeing may be state of the art. The higher motion video we worked on showed much worse artifacts. Did you see the stills I put up?

I just want to know what the state of the art really is. I've heard over and over on different forums about compressor and I want to see how good it is. MotionPerfect has already exceeded my expectations. You're "qi" artifact could easily be touched up in PP.

Maybe we should start a new thread asking for compressor users to show it doing interpolation.

Hi Mark, actually I use compressor all the time. The bad news is my settings were correct - it is doing interpolation. However, most scenes I shoot don't have such rapid movement and Motion fairs a lot better.

"High quality motion compensated" is the critical tab to have checked.

Here's a couple of frame grabs to demonstrate that with identical settings (only 25p this time) interpolation is taking place, but... it has the kind of blur one would associate with frame blending, just not so severe.

On the close up (100%) you can see on the HQ motion compensated 25p version the pole distorts in front of my son's head as Motion generates a new frame. On the 50% shot, four frames later, you can see how Motion struggles with the arm, just as it did in the stream shots I sent you.

For reference, I have attached grabs from the 30p original and the 25p frame blending version. You can clearly see the differences.

Hi Mark, actually I use compressor all the time. The bad news is my settings were correct - it is doing interpolation. However, most scenes I shoot don't have such rapid movement and Motion fairs a lot better.

"High quality motion compensated" is the critical tab to have checked.

Here's a couple of frame grabs to demonstrate that with identical settings (only 25p this time) interpolation is taking place, but... it has the kind of blur one would associate with frame blending, just not so severe.

On the close up (100%) you can see on the HQ motion compensated 25p version the pole distorts in front of my son's head as Motion generates a new frame. On the 50% shot, four frames later, you can see how Motion struggles with the arm, just as it did in the stream shots I sent you.

For reference, I have attached grabs from the 30p original and the 25p frame blending version. You can clearly see the differences.

Obviously compressor and mp are using very different algorithms. When that is the case you can usually find situations where one is better than the other.

Since my last post I have found that while MP will usually make objects (people) in the foreground look perfect with no blending (which is amazing to me), the background will appear to "flow" around the foreground object. It is hard to describe because you cannot see it in a still.

Speaking of stills, we have been concentrating on them and they mean nothing. The final appearance in motion is what matters. I'm going back and playing those files a few times to try to get a subjective feel for their qualities.

P.S. In my MP experimenting, I came across a still or two where the foreground leg moving rapidly would have a gaping whole you could see right through to the background. Very gross. Again it happened in single frames which could be patched.

Obviously compressor and mp are using very different algorithms. When that is the case you can usually find situations where one is better than the other.

Since my last post I have found that while MP will usually make objects (people) in the foreground look perfect with no blending (which is amazing to me), the background will appear to "flow" around the foreground object. It is hard to describe because you cannot see it in a still.

Speaking of stills, we have been concentrating on them and they mean nothing. The final appearance in motion is what matters. I'm going back and playing those files a few times to try to get a subjective feel for their qualities.

P.S. In my MP experimenting, I came across a still or two where the foreground leg moving rapidly would have a gaping whole you could see right through to the background. Very gross. Again it happened in single frames which could be patched.

I just did a series of viewings of the clips at full speed and tried to forget that I was looking for any particular artifact.

MotionPerfect was unusable and is not fixable. There is a "breathing" of the background following the moving objects that jumps out at you and looks unnatural.

Compressor looked the best with a blur that some might consider filmy. However, I tried a straight blended output from Premiere and it looked identical to my eye.

I was only looking at the high speed artifacts. I need to study natural talking head speed also. Maybe compressor blends at high speed and interpolates at low.

I also need to go back and look for MP alternatives for the PC. I compared originally by looking at tweened frames. MP frames look awesome. I'm going to look for something with compressor type logic.

Maybe we now know why MP is so cheap.

Yes. Motion perfect is usless with high motion shots. The attached clip of clearly shows how bad Motion Perfect can get. Clearly, this is not fixable.. Oh well, back to the drawing board.

It does what is expected to. Nothing less, nothing more.

Having a 30p converted to a 24p with no flaws, is like expect converting an 720x480 footage to a 1920x1080... it's NEVER going to be great.

Besides, I wold never want a single of that artifacts on my videos. I rather prefer to stick to 30p, wait for a firmware update or buy another camera.

Yes. Motion perfect is usless with high motion shots. The attached clip of clearly shows how bad Motion Perfect can get. Clearly, this is not fixable.. Oh well, back to the drawing board.

That's actually one of the better conversions I've seen. But just like mine, the "breathing" of the carpet and couch look bad to me. She didn't look to bad herself in real time.

I think maybe blending looks better at high speed because natural motion blur is going to be big anyway. So a little more doesn't hurt.

It does what is expected to. Nothing less, nothing more.

Having a 30p converted to a 24p with no flaws, is like expect converting an 720x480 footage to a 1920x1080... it's NEVER going to be great.

Besides, I wold never want a single of that artifacts on my videos. I rather prefer to stick to 30p, wait for a firmware update or buy another camera.

When a customer demands 24fps film and you only have 30fps, you gotta give them something. I'm not giving up on conversion yet.

I used Josh's test clip & converted to 24p using the method described by Denver Riddle & demonstrated by Philip Bloom in this video tutorial How to convert Canon 5dmk2 footage from 30p to 24p - Canon 5D Mark II on Vimeo (http://vimeo.com/groups/canon5dmark2/videos/4920433) In brief the workflow converts the original H.264 .MOV to ProRes as the intermediate CODEC & then uses Cinema Tools to conform the footage to 24p i.e. turns the 30p into 24p by simply flipping the bits in the header which keeps the same number of frames plays them back more slowly. Effectively an overcrank. Compressor is then used on this clip to bring the duration back to the original. The unaltered audio is dropped back onto the clip after the video conversion to 24p.

Philip describes it as how to convert footage shot in 30p to perfect 24p Well perfect it isn't. The video looks good (which is I suppose the ultimate test) but stepping through frame by frame it is easy to find artefacts anywhere there is a lot of motion. Philip's sample video has very little motion so doesn't show these artefacts.

Perhaps it is unfair to compare individual frames after conversion as it doesn't matter how many artefacts there are present as long as the viewer doesn't notice them & the video looks good. If/when Canon gives us 24/25p we will be able shoot footage side by side & do a proper comparison between native 24/25p & 30p converted to 24/25p.

Tonight I had a bit of time to try a couple 24p renders using different methods out of Vegas, and using my the Cineform codec that comes with NeoScene.

The first one, I took a cue from Phil Bloom recommended process, and slowed a section footage down to play as 80 % frame rate. I put the resulting file on the same time line, sped it back up to 1.250%, and then rendered it to 24p. I rendered it to a window media file for posting here.

The other, I just did a direct render to 24p using the same Cineform codec.

They are both posted below. I am thinking this is not so bad...