Dan Chung
June 11th, 2009, 02:23 AM
Sorry this has taken a while to post but I wanted to make sure my results were correct and that I had to chance to query Beachtek about them.
BeachTek DXA-5D Audio Test, Part 1 on Vimeo (http://vimeo.com/5041823)
Beachtek DXA-5D Audio Test, Part 2 on Vimeo (http://vimeo.com/5042144)
and a quick real world test with Sennheiser EW112p radio mics The Barclays Premiership Trophy visits Katine on Vimeo (http://vimeo.com/5079486)
For the most part the disable AGC control works quite well, although it does not completely eliminate gain changes in the way a 1khz tone generator does, it is usable. There is also significant bleed between audio channels although at this point I'm still trying to determine if that is the adapter or the cameras fault.
The DXA5D does give far more flexibility to the 5DmkII than before but those hoping to get low noise by just plugging in their favourite shotgun mic are likely to be dissappointed. The lack of pre-amps means your best options are to use radio mics or a mixer to get a higher level into the DXA5D. Also, as the manual states, the headphone monitoring is not of the same quality as the output to camera, it is actually more noisy.
Here is Beachtek's response to my tests "I believe your video proves that you need to use a sensitive mic to get the best results from this camera. Remember that the adapter is a passive device and you would normally leave the trim controls at full max no attenuation for unity gain. It also shows that the AGC disable feature greatly reduces the noise during quiet moments."
"Note that you will never be able to compare the audio from this camera to a dedicated professional digital audio recorder. As I have often stated in my many emails, the audio features on this camera were added as an after thought which makes capturing professional audio a real challenge. That is why we incorporated a second output jack on the adapter to record to a digital recorder such as a Zoom H4 or Sony PCM-D50 when very high quality audio is required."
"Recording audio on this camera is fine for interviews and such or as a backup provided that you use a sensitive condenser type mic. Wireless mics and a feed from a portable mixer work best."
Dan
BeachTek DXA-5D Audio Test, Part 1 on Vimeo (http://vimeo.com/5041823)
Beachtek DXA-5D Audio Test, Part 2 on Vimeo (http://vimeo.com/5042144)
and a quick real world test with Sennheiser EW112p radio mics The Barclays Premiership Trophy visits Katine on Vimeo (http://vimeo.com/5079486)
For the most part the disable AGC control works quite well, although it does not completely eliminate gain changes in the way a 1khz tone generator does, it is usable. There is also significant bleed between audio channels although at this point I'm still trying to determine if that is the adapter or the cameras fault.
The DXA5D does give far more flexibility to the 5DmkII than before but those hoping to get low noise by just plugging in their favourite shotgun mic are likely to be dissappointed. The lack of pre-amps means your best options are to use radio mics or a mixer to get a higher level into the DXA5D. Also, as the manual states, the headphone monitoring is not of the same quality as the output to camera, it is actually more noisy.
Here is Beachtek's response to my tests "I believe your video proves that you need to use a sensitive mic to get the best results from this camera. Remember that the adapter is a passive device and you would normally leave the trim controls at full max no attenuation for unity gain. It also shows that the AGC disable feature greatly reduces the noise during quiet moments."
"Note that you will never be able to compare the audio from this camera to a dedicated professional digital audio recorder. As I have often stated in my many emails, the audio features on this camera were added as an after thought which makes capturing professional audio a real challenge. That is why we incorporated a second output jack on the adapter to record to a digital recorder such as a Zoom H4 or Sony PCM-D50 when very high quality audio is required."
"Recording audio on this camera is fine for interviews and such or as a backup provided that you use a sensitive condenser type mic. Wireless mics and a feed from a portable mixer work best."
Dan