Eric Lian
February 21st, 2004, 08:22 PM
I have had an XL-1 since 1998 (It's been factory tuned once) and I would never consider using anything else - ever again. I use it in very unforgiving environmental conditions and I consistently get excellent results.
Do I shoot manually? Rarely. Do I focus manually? Hardly, if ever. Do I stay on top of the camera in case it goes awry? Constantly, but I'd do that with any camera.
It's large enough to rest on my shoulder and short enough to swing around in very confined spaces. I don't want to hold a camera in front of me with two hands. I need a free hand for other things. I don't want to lug a $50,000 ENG camera - those poor camerman can't ever keep up; they might as well have boat anchor chained to their leg.
I look into the LCD viewfinder. I can't use a flip-out LCD. The glare of the sun or pitch dark night would render a flip-out useless.
I throw it in and out of the back of helicopters. I use it as a crutch when climbing cliffs. I use it as a shield from breaking waves when I'm near water. It's been dropped, stepped on, slammed into, sprayed with jet fuel, and bled on. I constantly beat the crap out of the this camera and it has never failed me.
Checkout some of my clips at:
http://www.henry1.com/film_audio.htm
(more to come)
The night time video was taken on a starless, moonless night. There were no street lights, car lights, or house lights lighting the scene. I literally could not see my hand in front of my face. Not a problem. (Of course, the clip has been compressed for web transport). The raw footage is a thing of beauty.
If there's anyone out there who tortures this camera more than I do (and I seriously doubt there is) I'd sure like to hear from you. Anyone else shooting from helicopters or doing serious aerial photography;still or video?
Do I shoot manually? Rarely. Do I focus manually? Hardly, if ever. Do I stay on top of the camera in case it goes awry? Constantly, but I'd do that with any camera.
It's large enough to rest on my shoulder and short enough to swing around in very confined spaces. I don't want to hold a camera in front of me with two hands. I need a free hand for other things. I don't want to lug a $50,000 ENG camera - those poor camerman can't ever keep up; they might as well have boat anchor chained to their leg.
I look into the LCD viewfinder. I can't use a flip-out LCD. The glare of the sun or pitch dark night would render a flip-out useless.
I throw it in and out of the back of helicopters. I use it as a crutch when climbing cliffs. I use it as a shield from breaking waves when I'm near water. It's been dropped, stepped on, slammed into, sprayed with jet fuel, and bled on. I constantly beat the crap out of the this camera and it has never failed me.
Checkout some of my clips at:
http://www.henry1.com/film_audio.htm
(more to come)
The night time video was taken on a starless, moonless night. There were no street lights, car lights, or house lights lighting the scene. I literally could not see my hand in front of my face. Not a problem. (Of course, the clip has been compressed for web transport). The raw footage is a thing of beauty.
If there's anyone out there who tortures this camera more than I do (and I seriously doubt there is) I'd sure like to hear from you. Anyone else shooting from helicopters or doing serious aerial photography;still or video?