Ignacio Rodriguez
February 12th, 2004, 09:10 PM
Ok here is something that came to my mind after reading about a guy who built his own progressive scan DV camera:
We like proscan because it gives us 'film-like' motion and does not exhibit interlace artifacts, right? That's really cool and I like it too... but I also think there might be another reason to embrace proscan, a reason that makes it important for the camera to do real progressive, not post, not deinterlacing. The real thing.
As I seem to recall, the DV25 codec has no interframe compression, but seems to have some form of interfield compression. Of this is true, than having the same info written to both fields should yield a better image, right? Could that be as good a DV50@60i? If DV25 is said to have a compression ratio of 5:1, would using proscan be actually giving us something like 2.5:1 performance?
We like proscan because it gives us 'film-like' motion and does not exhibit interlace artifacts, right? That's really cool and I like it too... but I also think there might be another reason to embrace proscan, a reason that makes it important for the camera to do real progressive, not post, not deinterlacing. The real thing.
As I seem to recall, the DV25 codec has no interframe compression, but seems to have some form of interfield compression. Of this is true, than having the same info written to both fields should yield a better image, right? Could that be as good a DV50@60i? If DV25 is said to have a compression ratio of 5:1, would using proscan be actually giving us something like 2.5:1 performance?