Hello again,

Last fall I posted the following job search and had positive results and new friends made, by working out a deal with 2 videographers here that helped us both make $$$ last fall and this past Spring, and hopefully for many more months/years to come!

So I thought I would post this again:


I am looking to add more work for my company and am offering my services of transferring 8mm/Super 8mm home movie reels/film to DVD. I currently offer this in my area of SE Missouri but it isn't quit enough to keep me busy full-time.

If anyone is sick of doing their film transfers themselves and want me to take them on, please send me an email. I can share my current pricing, what I would be willing to do the extra work for, and even send out a sample of my work to show I do have good quality transfers.

Plus, you are also welcome to snope around my website and read how I put it together:

http://www.katchvideo.com/8mmmovietransferspage.html

My email address is: kathy@katchvideo.com if you are interested in contacting me.

Thanks,
Kathy

To anyone reading this. I'm filming a low budget indie and I have the need for 20 seconds of 60's or 70's outdoor music festival footage that could be, or could pass for Woodstock in 1969. I've found houses that have the footage but it would cost around $1200 for the footage I need. As you're most aware, that's a considerable amount for a lo-low buget indie. Any help would be appreciated.

Need 2nd camera operator with 3CCD camera to help me film a firefighter's funeral this Saturday. Full honour parade through town and then church service. 4 hours, $150.

Chris@McKee.net
604-828-6066

'Leave it to Chance' (www.leaveittochance.info) is a feature that has been touring festivals for the past year. We have a DVD distributor lined up, but still need the 'making-of' edited together. Target time in 15-20 mins... we are looking for someone with their own editing system, but we will provide storage if needed. An editor in California is preferred, but it might be possible to work out a workflow with someone in another area. If you're interested, please shoot me an email.

Hey guys,

I'm looking for a talented DP for a short film shoot towards the end of June. I'd really like to find someone with good experience using a 35mm adapter, who has a great artistic eye for narrative films, and who is quick.

Post here, or email me through the link on my name in the post heading... If you have a reel on line that'd be great... if not I'll send you my address to mail it.

The plan is to shoot one weekend per month for a continuing project. We definitely have budget for the first, the rest we have to find out.

Thanks in advance, and I look forward to hearing from you.

We are exhibiting at Cinegear this year and are looking for someone in the LA area to look after our booth for the two days of the event - June 23 and 24.

This would suit a new filmmaker/student who is confident, friendly and has some experience of dealing with the public.

The job will entail answering basic questions about the magazine, giving away free copies and taking messages for the other members of the team.

We will pay $100.00 per day, provide lunch and networking opportunites for the right person.

If you are interested please email denise@showreel.org and tell us about yourself.

Denise Haskew
Showreel Magazine
www.showreel.org

i have a project that neends to be correctly mixed and i have no bloody clue.

Need somoene who can help me or mix it for me, paid gig, limited budget.


email me at saturnin9 at hotmail.com

thanx

Vancovuer, lower mainland area.

Hi

I have some new horror scripts available

More info here:
http://www.horror-scripts.com

i found someone..thanx

Hi, we're in need for a DP help on a short DV project in Dallas area.
We're looking at probably July time frame for shooting.
Please reply vnguyen972@yahoo.com
Thank you.

Wasn't sure where to put this, but it has to do with shooting so...

I want to enter this competition, but was wondering on what exactly to submit, and was wondering if someone can help me out.

They want a 3-5 Miunte Presentation Submission. That is all the information they really give. I wasn't sure if they wanted a scene or a pitch or a little of both? I am planning on doing a little of both, but was hoping for a little help if anyone knows what should be submitted.

http://www.myspace.com/sunnyfx

Wanted: Editor with extensive FCP experience in Sacramento. Must have at least 2 years experience with FCP and Photoshop. AE, Motion, DVD StudioPro and/or HTML skills a plus. $10-13 per hour DOE.

Please respond to Mike at info@jensenvideo.com
www.jensenvideo.com

I'm planning a 12-day shoot at the end of July/August in El Paso, TX for Sundance submission. It is an original comedy loosely inspired by Napolean Dynamite and Beverly Hills Ninja.

Will be shot with the HVX200 and M2 35mm adaptor, Arri lights and HMIs, etc. No pay available except travel/food/lodging. Completely self-funded on a micro-budget but the production standards will be high and the project run professionally. If you're looking to gain experience and will have the time available then please contact me.

Thanks!
brooksilver@brooksilver.com

Hi,

I'm looking to rent a Sony A1 (preferably Euro model with 50i, but USA version is fine too) for this weekend. My cousin is getting married and I'd like to have a small camera there to help document it.

Email me and let me know what you think is a fair rate for pickup Friday and return Monday. I have a Z1, but that will be too large.

matthew.groff@gmail.com

mg

Steve, are you in the Atlanta area? There is a craigslist post that seems to match what you are asking for (or it is your competition.) I know I would be much more willing to work with a DVInfo-er than an anonymous Craigslist entry. :D

I would say shoot a 4 minute pilot if you have the idea developed that far. Add an outline that explains what, who, when, where, why.

I'm putting together a feature film to start shooting in the fall. Right now I'm interviewing line producers to help with a budget ($75,000- $150,00) proposal.

I'm also interested in talking and interviewing some high end HD DPs. The best cameras I've shot with are 1/3 inch 3ccds (canon xl, sony vx, pan dvx) and I'm new to the high end hd cameras. We are thinking about Sony F900, Panasonic Varicam ect. I'm looking for some info to help our proposals, look at some reels and hopefully end up with a DP through the interviews.

If in NYC and interested drop me an Email.
Doyle@nomadimagefilms.com

Steve, are you in the Atlanta area? There is a craigslist post that seems to match what you are asking for (or it is your competition.) I know I would be much more willing to work with a DVInfo-er than an anonymous Craigslist entry. :D

I would say shoot a 4 minute pilot if you have the idea developed that far. Add an outline that explains what, who, when, where, why.

I would be glad to work with people, but I live in the New York area. I have a HD100 and Final Cut Studio. I can also cut on Avid.

The addition of an outline sounds like a good idea.

RE Outlines. Lots of repeat book authors say that is about the only way to sell stories these days with success to the publisher.

Does anyone have experience working for Swank Audio Visuals? Good experience, bad experience? Any idea what their payrate is? Thanks!

Hey, I'm looking for something to do in the fall. I have an extensive knowledge (relative, I'm in High School) of Final Cut and Avid Liquid. This summer I will also be learning Sony Vegas.

I can use Photoshop, AutoCAD and Microsoft Office very well and I am starting to use After Effects recently.

I also have an OK knowledge of programs like Soundtrack, Acid and FruityLoops.

I edit things kinda sketchy/glitchy/fast, kind of like Chris Cunningham's faster videos. I have recently started expanding though, learning techniques for better camera work.

I am OK with moving to any city that has a local JC with transferable AA or AS degrees. If anyone is interested hit me up at francisoclaire at gmail


:P

looking for someone to do lighting and grip work on an upcoming music video, and possibly future projects. You need to know a little bit about lighting for film, and be able to take direction from me, the DOP/Director.

I really need someone local to worcestershire i.e between birmingham and bristol, becuase we dont have the money in the budget for acomodation and transport. This will pe a paid job... How much, we don't quite know.

If you are interested in working with me, take a look at my previous work:

www.pixelloft.com

you can email me at nick@pixelloft.com

Thanks, Nick

SEEKING ACTORS & CREW TO APPEAR in a pilot ‘series’ tentatively titled ‘Aim High’. The initial project will include a four episode run, each ranging from forty to sixty minutes in length. In addition to the DVD, the series will be featured prominently on the World Wide Web and Google Video. To be filmed in the Cleveland area.

The premise is that four individuals (two women and two males) operate a Psychiatry Practice. Each character has that special ability to help others in their own unique way. Unfortunately, the practice is soon smeared by scandal and the theme of mortality also weighs heavily on the characters. This series, a "dramedy," features intense emotional scenes combined with quirky comedy. This project will be considered a PG-13 type series, one that an individual could find on HBO. This series is created by Anthony Joy, Dave Thomas, and John Dolan, who also brought you ‘Attrition’ and ‘A Soldier’s Winnings’.

For more information, please visit: http://www.ardentproductions.com/aimhigh/

Or e-mail: info@ardentonline.com or 419.443.0180

Must be experienced in digital filmmaking and live in Southeast Florida, esp. in Palm Beach County. Shooting the first two weeks of August, 2006. Please email me at hmcknight@mac.com for more details.

Thanks,

Heath

Heath, I sent you an email.

Mark

Hello, Edinburgh! I'm posting again to see if anyone is interested in hiring a professional videographer for July/Aug/Sept '06. Have my own digital gear, lighting, microphones, etc. Experienced, professional, creative, unobtrusive. Would really like to work part time during the festivals in just about any capacity, best offer to you is my shooting skills. Let me know your thoughts or ideas. Thanks.

Thanks, Mark. I'll reply asap.

hwm

thanks found somoene

FREELANCE CAMERA OPERATOR IN FT. LAUDERDALE, FL. I HAVE OVER 15 YEARS EXP.. I HAVE MY OWN EQUIPMENT.. MAJOR NETWORK & COMMERCIAL EXP.. WILL TRAVEL..ALWAYS LOOKING FOR NEW OPPORTUNITIES.....
BRIAN CHACON
CHACON@TMAIL.COM
213-605-0712 OR 954-663-2467

Brian,

Welcome to the forum Brian, it's nice to know there is another operator in the South Florida area. You might want to fill out the information section for your account and let us know a little more about yourself. That would help a lot.

What are your interests? I'll email you some information on a local film makers club.

Good luck!

Mike

Watch you language dude!

This is a forum for civilized people...

If there's an editor that would like to help cut/composite these spec's, let me know. There is no pay, just something top notch to put on your own show reel. Prefer someone skilled in commercial editing, has knowledge of compositing, and digital effects. Basically, a real artist. Prefer someone experiences, either a professional or on the cusp of being a professional (and looking for some things to put on his reel that pushes him there).

If you're interested, either PM me or send me an email to: greg@1stalliance.net

Please show me some samples of your work. I can also edit, but I'm not an artist at it.

I don't want to ruin your thread, and I really hope you'll find someone, and maybe you will, but if you want a real real professional, I don't think they are gonna do it for free...

And if you are working with 35mm it seems you have the budget to pay someone...

Best regards,

Hey all,

I need an editor for my next short film. I'll need someone that can capture HDV footage (most likely from the JVC HD100U or the Canon XL H1), edit, color correct (nothing fancy), and then author a DVD Master.

Could you either recommend someone or if you do it yourself, I'd love to get some pricing (unless you are a very talented editor with a very nice system and want to get your name out there ;) )

Don't worry, you won't ruin the thread. It's possible I won't find someone that wants to do it soley for their reel, but I think it's entirely possible I will because it's a great trade off for someone.

Here's how I think about it. If someone came to me and said they were going to pay for a 35mm camera package, grip and electric, film stock, processing, telecine and color correction, handling all the casting, scheduling, and production duties, and then asked me if I'd direct it without pay, but could use it for my show reel, I would litterally jump at the chance. No money out of my pocket, and I could have a 35mm spec. on my reel. That's a deal I couldn't pass up.

That's what it will be for the editor. And I'm sure there are some editors that want to make the leap to the next level. Maybe having some better quality spec.'s on their reel with help them do that. My DP sure jumped at the chance to shoot these.

I also put an ad in Mandy. I'll let you know what kind of response. If I don't get any takers, I'll cut them myself.

Hi, I have been reading these forums for quite some time and have found them really helpful. Thanks to everybody who chips in on the conversations, it really helps us newcomers!
Well, At the risk of being added to the looong list of cheesy requests for unpaid talent, here is mine, LOL!

Current Status

On occasional weekends During the fall/winter of 2006/07 I am going to shoot a feature length mini dv format movie with XL1 cameras. I already have 2 cameras and 1.5 cameramen as well as minimal audio eqipment. I have three musical groups lined up for the sountrack: Freezepop, Leslie Fish and (probably) Yachay. We have been trying to contact Rasputina and The Arrogant Worms for additional tracks but have gotten no reply yet. I will be directing, producing, building props and running one of the cameras.

What We Need

A somewhat experienced sound person would help. Someone who already has a decent portable recorder would be ideal.
We are still short several key actors and many smaller parts.
We have most crew positions still open and everyone involved will probably be wearing multiple hats.
We need lots of props, but will be able to borrow most of those from the local SCA group which will also provide some of the extras.

Objective

To produce a niche film appealing to nerds, fans of swords and sorcery films and people fed up with daily life, specifically "office-space" type working conditions.
If we succede in creating a good finished product, we will pursue multiple avenues to turn that into cash, such as pitching it as a tv pilot, going direct to video, selling copies at Science-Fiction conventions, or whatever we can think of.

What We Are Offering

Screen credit.
1 meal or snack per shooting session.
2 (DVD+R) copies of the film. And an additional 2 (Regular DVD) copies if it is released commercially.
Main actors and Key crew will recieve from 1/2% to 1% of gross revenue from the film itself.
Minor actors and non-vital crew will not recieve financial compensation unless the film earns us over 50,000 US dollars, in which case they will each receive a 100$ payment.
Any crew members not already appearing on screen will be given small walk-through parts if they wish to appear on screen. (Peasant#6, Guard#12, etc.) It is nice to be able to point to yourself on screen and say "there I am!"

Thanks for considering supporting our project!

~David Perrine~

Questions?
E-MAIL: vikingwizard@GMAIL (dot) COM

WWW.OFFICEQUESTMOVIE.COM

1.5 cameramen? Did you hire a kid for those low angle shots?

LOL: One with experience and me: I'm basically inexperienced and do not rate as an entire cameraman.

As someone who has been criticizing people posting for free help on their projects on this forum and others, IMHO I see your project as the type that fully justifies getting free talent and crew.

Unlike the one that I criticized here, your project probably wouldn't be made at all if you had to pay everyone (Or maybe anyone!). And, the world will be a slightly better, or maybe even a much better, place because you ARE making your film, and those that work on it will be doing so because they want the experience, NOT because you're dangling big names and film fest fame like a carrot on a stick.

It also shows class and kindness that you're offering a reasonable and equitable backend structure for your key people and even a little something for the others.

Let me close by wishing you a great shoot and much success with your finished project.

Tip McPartland

Yes maybe you're right, that was only my point of view, and I never shot 35mm nor am I a professional dp or editor, so I'm not a specialist by all means :-)

Good luck!

Yes maybe you're right, that was only my point of view, and I never shot 35mm nor am I a professional dp or editor, so I'm not a specialist by all means :-)

Good luck!

I've only had one person email saying they would, but only if it was indeed a special piece of work. I actually like this type of response because that's my attitude too. But not a lot of people have come forward yet (it's only been 1 day since the ad posted), so I'm sure a lot of people will decide to pass. We'll see. It could be worse. I could be asking for someone to edit an entire feature for free, which is asking a heck of a lot from somebody.

dump it to miniDV and i'll edit it for you, lol!!! Fo free.

Just to weigh in on the spec thing and appropriateness of asking/expecting a solid editor to do this:

I think it is absolutely within reason and a lot of people by that description should jump at it. Having a gorgeous looking spot shot on 35mm on your reel is worth it (for DP's and editors) since it will elevate the reel in a way that the same material shot on DV usually won't. I say "usually" because in the hands of a really skilled DP and director, it's possible to generate amazing looking DV that can surpass fair to middlin' 35mm...but great looking 35mm still rules the roost.

I've only recently stopped taking freebies for my DP reel, but the ones that I did take were specifically because they would fill out certain aspects of the reel that was lacking. And some of those freebies (shorts, mostly) have been the specific element that have won me paying gigs. A shrewd DP or editor will be able to identify the merits of a given project to determine whether it is worth a few days of their time to net some great looking material--on someone else's dime.

I once agreed to shoot a short film solely on the basis of the 4 opening shots, which I knew would be visually interesting. After that, the film became pretty straight-ahead, but I knew those shots would have value for me. Some 7 years later, two of those shots remain on the reel (in fact, one of them is the very first shot).

Greg, my sense is that you've already got the DP in hand, so you are in great shape to get started...once you have the footage transferred, having a series of fantastic looking screencaps should make the process of wooing a great editor to the project pretty easy.

I have to agree with some aspects. If it is truly a special work, it is well worth the time you spend on it. There have been several very successful films done by nobodies, with big names attached. It wasn't because they were paid huge sums, but because the story and conviction of the creator. It will get you more status than if you got paid to just do a job.

On the other hand, this is a DV forum, and maybe not the place to find experienced film techs ;)

Nice to see someone does the "foot-in-cement body-twist" also while filming!

Quick question about your audio setup. Did you angle your shotguns at all or are they aligned with the camera's center axis?

Just to weigh in on the spec thing and appropriateness of asking/expecting a solid editor to do this:

I think it is absolutely within reason and a lot of people by that description should jump at it. Having a gorgeous looking spot shot on 35mm on your reel is worth it (for DP's and editors) since it will elevate the reel in a way that the same material shot on DV usually won't. I say "usually" because in the hands of a really skilled DP and director, it's possible to generate amazing looking DV that can surpass fair to middlin' 35mm...but great looking 35mm still rules the roost.

I've only recently stopped taking freebies for my DP reel, but the ones that I did take were specifically because they would fill out certain aspects of the reel that was lacking. And some of those freebies (shorts, mostly) have been the specific element that have won me paying gigs. A shrewd DP or editor will be able to identify the merits of a given project to determine whether it is worth a few days of their time to net some great looking material--on someone else's dime.

I once agreed to shoot a short film solely on the basis of the 4 opening shots, which I knew would be visually interesting. After that, the film became pretty straight-ahead, but I knew those shots would have value for me. Some 7 years later, two of those shots remain on the reel (in fact, one of them is the very first shot).

Greg, my sense is that you've already got the DP in hand, so you are in great shape to get started...once you have the footage transferred, having a series of fantastic looking screencaps should make the process of wooing a great editor to the project pretty easy.

Funny you should say that, Charles. I've had about five or six people offer now, but one really stood out. They're an effects house, but they're cautious. So I sent them one of the scripts to one of the spots that I really liked, but discarded because of the special effects involved. It's a clever little beer ad.

I think I hooked them right from there. The guy sent back an email, admitted it made him laugh, then went through and broke it down step-by-step on what to do so they could work on the FX. They asked me to give them specific time and be patient, but if they're not swamped, they'd help out. This just from the spec. script. No shots, just what's on the page.

And I've seen their reel. They don't have any comedy spots on it, so it could work out well for both of us.

Brian,
Do you have any links to your some of your works please?

I'm looking for a DP/camera operator for June 24 as part of the Toronto Film Challenge (www.torontofilmchallenge.com). If preferred the DP could be part of the entire process (creating the script, filming, editing, acting...). We'll be using a DVX100A, sennheiser MKH 416, arri jr lighting kit and FCP. Email me at dino.santoro@rogers.com if interested.

As some of you know, Steve Mayer fractured his back over the weekend in a dirtbike accident. We visited with him yesterday and while its bad, it could be alot worse.He has mobility and feeling but screws in his back after today with a plate. He'll be down for six weeks at a minimum when we're [planning a 13-week shoot which leaves us in need of a sound engineer for this Saturday's shoot. It's on location for 2nd Unit in North Hollywood in the Los Angeles area of California. It's a paid gig of course for an independent and the rate is commensurate with your experience and equipment. You'll be laved to 3 talent on stage in an interview situation; nothing extravagant but we do need someone who knows what signal is all about. Four JVC 100s will be on stage with sound cut to three of them.

Please let me know your interests as soon as possible.
Jonathan

Also, the show you're recording for can be found at www.2nd-Unit.tv Guests Saturday include former ASC President George Spior Dibie, ASC and USC School of FIlm's Rob Kositchek, ASC

Nice to see someone does the "foot-in-cement body-twist" also while filming!

Quick question about your audio setup. Did you angle your shotguns at all or are they aligned with the camera's center axis?

Yes, I do angle my twin shotguns out about 10 degrees each, to give more left/right separation for moving subjects. Of course, if I was recording a voice or a single musician, I'd angle them slightly inward to maximize the isolation of that source. The mikes I use are 19-inch long Audix UEM-81C models, which unfortunately you can't buy anymore. They use XLR, but I've wired adaptor cords into a shielded stereo miniplug for my camcorders that need it.

Over the years, I've incorporated some substantial stretching and rotating exercises into my workouts and I've improved my range of coverage for panning. When I'm at each end of my rotating ability, I raise my opposite foot onto the toes and turn it inward, which gives me a bit more reach. I also shift more of my weight to the foot closest to the passing subject as it approaches and shift to the other as it goes by.

I shoot video,do sound,music production and audio post. My girlfriend/partner edits video,photos,authors dvd's and creates web clips.I shoot with a Canon XL2 and a Sony FX1.
I've been hanging out here for a while, and enjoy these forums.
If you have an up comming project, or need anything,,emil me at yarock@aol.com.
Thanks
Bruce S. Yarock