Steve Mullen
September 29th, 2003, 08:25 PM
OK -- with a "new" HD10.
1. No canned audio. This is the second "new" HD10 that has got good audio. Suspect first batch was bad.
2. It pumps
2. It doesn't pump
All depends on what you mean by "pump." I didn't hear any attempt to bring up the audio, so in reality I heard only a LIMITER.
And, it all depends on the background level.
Stuff shot on NYC streets, Central Park, subway, Fashion Week -- all sound great because the subject voice is about the same level as the background.
With mic near face so good rejection of background--no problem.
Very quiet room (e.g., soundstage) no background level to pump. No problems.
Indoors with soft background sounds and sudden LOUD voice. Yes, there is a momentary decrease in background level. With ordinary voices, you can hear the decrease and the increase after voice stops. Not good.
It's no wonder Heath didn't find the problem nor did I. But others have.
So for ENG it won't likely be a problem because of high ambinent noise and/or use of noise rejecting mic.
On a soundstage it should be fine.
But, for EFP it might pump, so Heath gets to use his DAT. Of course, background noise is still a problem when editing. So if one has a good shotgun for use with DAT, it might work fine with the camera too.
Lastly, don't use the any mic that hard mounts to the non-hot-shoe because it picks up motor HUUUUUM! Get an Azden with the shockmount or use the supplied XLR mount.
1. No canned audio. This is the second "new" HD10 that has got good audio. Suspect first batch was bad.
2. It pumps
2. It doesn't pump
All depends on what you mean by "pump." I didn't hear any attempt to bring up the audio, so in reality I heard only a LIMITER.
And, it all depends on the background level.
Stuff shot on NYC streets, Central Park, subway, Fashion Week -- all sound great because the subject voice is about the same level as the background.
With mic near face so good rejection of background--no problem.
Very quiet room (e.g., soundstage) no background level to pump. No problems.
Indoors with soft background sounds and sudden LOUD voice. Yes, there is a momentary decrease in background level. With ordinary voices, you can hear the decrease and the increase after voice stops. Not good.
It's no wonder Heath didn't find the problem nor did I. But others have.
So for ENG it won't likely be a problem because of high ambinent noise and/or use of noise rejecting mic.
On a soundstage it should be fine.
But, for EFP it might pump, so Heath gets to use his DAT. Of course, background noise is still a problem when editing. So if one has a good shotgun for use with DAT, it might work fine with the camera too.
Lastly, don't use the any mic that hard mounts to the non-hot-shoe because it picks up motor HUUUUUM! Get an Azden with the shockmount or use the supplied XLR mount.