Chris Barcellos
March 2nd, 2009, 11:36 AM
The other day, I posted some footage for other local film makers to see from my 5D2. A comment came back from one, "Its to bad its not 24p." Recognizing that some customers will want 24p, I follow with this:
I note that Cineform's NeoScene page talks about 24p conversion, but doesn't reference the Canon 5D2 specifically. At one point before I actually got my camera, I had played with some downloaded raw files in Vegas, doing some 24 p conversion within Vegas. I only had NeoHDV.
My questions are:
1. Anyone doing what they consider as workable 24p using NeoScene ? If so, what is workflow
2. For Cineform and more technically capable: Has anyone tried capturing at initial converstion to an interlaced file, then converting that to 24p, also through NeoScene--- and would that even work or make any difference.
I note that Cineform's NeoScene page talks about 24p conversion, but doesn't reference the Canon 5D2 specifically. At one point before I actually got my camera, I had played with some downloaded raw files in Vegas, doing some 24 p conversion within Vegas. I only had NeoHDV.
My questions are:
1. Anyone doing what they consider as workable 24p using NeoScene ? If so, what is workflow
2. For Cineform and more technically capable: Has anyone tried capturing at initial converstion to an interlaced file, then converting that to 24p, also through NeoScene--- and would that even work or make any difference.