Ashley Briggs
February 24th, 2009, 12:59 PM
This thread concerns:
Apple MacBook Pro 15.4" running CS4's OnLocation tethered to my EX1 via iLink.
Hi,
After spending most of this afternoon on this site reading all the monitor chit chat I just need a wee question answered, or at least discussed.
I've finally got hold of Adobe CS4 with OnLocation. Disappointed that in using this system the only way I can get an image is to export SD quality using the iLink. No HD quality. Is this right? No great fix or workaround? Which is annoying as I only shoot in HD, and was hoping to use this, slightly cumbersome and risky, method as a field monitor. Alas.
But here's my question.
I can still use this system to colour balance, focus, look at vector scopes, check lighting etc etc on each shot using the SD iLink, and once happy then switch to HD (and thus lose my monitor). Is this good technique? Or is the SD signal (interlaced) that I view going to give me anything different than to my HD (prog) that I am to record? If it is different then obviously this system's bad and I'm having to start over.
If this system is good then what it would provide me is a decent and scientific approach for setting up shots (seeing as my laptop goes out with me anyway) and then use a smallHD/nebteck 9" focus/framing monitor for shooting with.
Many thanks, Ash.
Apple MacBook Pro 15.4" running CS4's OnLocation tethered to my EX1 via iLink.
Hi,
After spending most of this afternoon on this site reading all the monitor chit chat I just need a wee question answered, or at least discussed.
I've finally got hold of Adobe CS4 with OnLocation. Disappointed that in using this system the only way I can get an image is to export SD quality using the iLink. No HD quality. Is this right? No great fix or workaround? Which is annoying as I only shoot in HD, and was hoping to use this, slightly cumbersome and risky, method as a field monitor. Alas.
But here's my question.
I can still use this system to colour balance, focus, look at vector scopes, check lighting etc etc on each shot using the SD iLink, and once happy then switch to HD (and thus lose my monitor). Is this good technique? Or is the SD signal (interlaced) that I view going to give me anything different than to my HD (prog) that I am to record? If it is different then obviously this system's bad and I'm having to start over.
If this system is good then what it would provide me is a decent and scientific approach for setting up shots (seeing as my laptop goes out with me anyway) and then use a smallHD/nebteck 9" focus/framing monitor for shooting with.
Many thanks, Ash.