Jim Clark
September 5th, 2003, 04:40 PM
Hello all:
We just purchased a JY-HD10u and have quickly run into a number of issues that we can't solve. I have read most of the posts here, but still have no solid conclusions on several topics. Any feedback is greatly appreciated. I know we're on the bleeding edge, but I'm getting dizzy from the loss of blood.
First, as you know, most professional cameras and prosumer models, such as the XL-1, have direct exposure(iris) and f-stop settings located in close proximity to one another and are easily accessable when shooting, but not on this camera. We have had no success in adjusting the exposure when using the manual exposure wheel on the camera's left side, and the exposure is unaffected when adjusting the settings from -10 up to +10.
Additionally, the "real" f-stop setting button on the rear of the camera is described as an "effect" in the manual, and although it does change the exposure as expected, it also creates a blurry, slow motion effect, rendering the function entirely useless and unnecessay. I assume then that it's not really a true f-stop setting, am I correct?
Second, we laos have encountered the same issues I have read numerous times on this forum, pertaining to the aquisition and editing of footage with the .2mt format. We had success first try when capturing via firewire, but as we all know it only creates the dreaded .m2t file type, that is unrecognized by every standard PC editing and manipulation software we tried. In fact, we have tried every suggestion on this forum to convert the file type to something usable in other programs. Including the unusable software that comes with the camera. We've tried converting from .mt2 with Windows Media Encoder 9, Video LAN, Premiere, After Effects, Media Studio Pro, and a few other obscure programs we found, with no success. We even tried these techniques with the extension changed to .mpg with no result.
The most frustrating issue, the LE edit program that comes bundled with the camera allows for format conversion from the timeline, but you are restricted to one output size with all other options greyed out, and worse, there is no realtime playback of the timeline or scrubbing capability. When I dug deeper into the issue, I discovered that the company that developed the program for JVC is going to charge $4800 for the full version. That's a giant leap from an LE version. It then appears that the only other PC solution comes with a $1200 price tag in the name of Cineform, and they don't give out trial version without an equally valued deposit. Is this our only option?
Third, I keep reading recommendations not to shoot the camera in the DV mode. I understand that this is a single CCD camera, but JVC touts that the camera captures more pixels in DV mode than the XL1 with 340,000 pixels vs. 270,000 pixels. They also say that the camera captures 840,000 pixels in HD mode. It makes me wonder how this is possible, yet the image quality in the DV mode appears to be lesser quality than the XL1. This has us confused and scratching our heads. Is the DV mode nothing more than an LE version of real DV?
The bigger question we are asking ourselves here is how do we shoot in the HD mode, capture to a usable format, without jumping through major time consuming and impractical hoops, edit the project, add visual FX and composit chroma keyed shots, then re-export, without losing quality and using massive amounts of storage space.
As much as I like this camera, it just doesn't it feel as though JVC has chosen a format for compression that relies on any form of standardized, existing software. I feel they should just include the full scale capture and editing software with the camera and charge a higher price so as not to mislead any of us who believe in the technology and want to use it to its potential.
It's like buying an economy car that requires fuel made from pure gold, yet it won't it be available for another year.
Al that said, I have high hopes and look to the future when the images we shoot on the HD10 are usable for real world, ecenomic HD production.
Best Regards,
Jim Clark
We just purchased a JY-HD10u and have quickly run into a number of issues that we can't solve. I have read most of the posts here, but still have no solid conclusions on several topics. Any feedback is greatly appreciated. I know we're on the bleeding edge, but I'm getting dizzy from the loss of blood.
First, as you know, most professional cameras and prosumer models, such as the XL-1, have direct exposure(iris) and f-stop settings located in close proximity to one another and are easily accessable when shooting, but not on this camera. We have had no success in adjusting the exposure when using the manual exposure wheel on the camera's left side, and the exposure is unaffected when adjusting the settings from -10 up to +10.
Additionally, the "real" f-stop setting button on the rear of the camera is described as an "effect" in the manual, and although it does change the exposure as expected, it also creates a blurry, slow motion effect, rendering the function entirely useless and unnecessay. I assume then that it's not really a true f-stop setting, am I correct?
Second, we laos have encountered the same issues I have read numerous times on this forum, pertaining to the aquisition and editing of footage with the .2mt format. We had success first try when capturing via firewire, but as we all know it only creates the dreaded .m2t file type, that is unrecognized by every standard PC editing and manipulation software we tried. In fact, we have tried every suggestion on this forum to convert the file type to something usable in other programs. Including the unusable software that comes with the camera. We've tried converting from .mt2 with Windows Media Encoder 9, Video LAN, Premiere, After Effects, Media Studio Pro, and a few other obscure programs we found, with no success. We even tried these techniques with the extension changed to .mpg with no result.
The most frustrating issue, the LE edit program that comes bundled with the camera allows for format conversion from the timeline, but you are restricted to one output size with all other options greyed out, and worse, there is no realtime playback of the timeline or scrubbing capability. When I dug deeper into the issue, I discovered that the company that developed the program for JVC is going to charge $4800 for the full version. That's a giant leap from an LE version. It then appears that the only other PC solution comes with a $1200 price tag in the name of Cineform, and they don't give out trial version without an equally valued deposit. Is this our only option?
Third, I keep reading recommendations not to shoot the camera in the DV mode. I understand that this is a single CCD camera, but JVC touts that the camera captures more pixels in DV mode than the XL1 with 340,000 pixels vs. 270,000 pixels. They also say that the camera captures 840,000 pixels in HD mode. It makes me wonder how this is possible, yet the image quality in the DV mode appears to be lesser quality than the XL1. This has us confused and scratching our heads. Is the DV mode nothing more than an LE version of real DV?
The bigger question we are asking ourselves here is how do we shoot in the HD mode, capture to a usable format, without jumping through major time consuming and impractical hoops, edit the project, add visual FX and composit chroma keyed shots, then re-export, without losing quality and using massive amounts of storage space.
As much as I like this camera, it just doesn't it feel as though JVC has chosen a format for compression that relies on any form of standardized, existing software. I feel they should just include the full scale capture and editing software with the camera and charge a higher price so as not to mislead any of us who believe in the technology and want to use it to its potential.
It's like buying an economy car that requires fuel made from pure gold, yet it won't it be available for another year.
Al that said, I have high hopes and look to the future when the images we shoot on the HD10 are usable for real world, ecenomic HD production.
Best Regards,
Jim Clark