Brent Graham
January 14th, 2009, 07:32 PM
Hi everyone,
I am a commercial producer and have been working with the following items:
- Camera: Red One
- NLE: Adobe Premiere CS3
- Codec: Cineform Prospect 4K build 187
- IO Card: Xena 2K (HD-SDI)
I have two questions:
1) How do I set up my Premiere/Xena 2K to output a 720p realtime monitor playback into my 720p monitor. (I must continue to edit in 4K cineform while monitoring on 720p)
2) Being that I'm on PC, and a cineform fan... I am staying away from Apple ProRes 422. What is the best way to send an HD spot to the broadcasters and retain clarity while not forcing Uncompressed (their machines can't play uncompressed realtime).
Dear David -- I believe #2 is a problem for you at this point, as the station suggested Apple ProRes 422 to deliver HD content. If I HAVE to be on ProRes 422... I have less money for Cineform.
THANK YOU.
@BrentwGraham
I am a commercial producer and have been working with the following items:
- Camera: Red One
- NLE: Adobe Premiere CS3
- Codec: Cineform Prospect 4K build 187
- IO Card: Xena 2K (HD-SDI)
I have two questions:
1) How do I set up my Premiere/Xena 2K to output a 720p realtime monitor playback into my 720p monitor. (I must continue to edit in 4K cineform while monitoring on 720p)
2) Being that I'm on PC, and a cineform fan... I am staying away from Apple ProRes 422. What is the best way to send an HD spot to the broadcasters and retain clarity while not forcing Uncompressed (their machines can't play uncompressed realtime).
Dear David -- I believe #2 is a problem for you at this point, as the station suggested Apple ProRes 422 to deliver HD content. If I HAVE to be on ProRes 422... I have less money for Cineform.
THANK YOU.
@BrentwGraham