Dan Brockett
January 5th, 2009, 11:55 AM
Hi all:
I will be purchasing a Canon Vixia HF10 or 11 for an upcoming project. The project requires the smallest possible, least intrusive camera and from what I have heard from friends who own them and from other posters on the Net, the little Canons are pretty cool. Small, light, cheap and decent quality.
My question is, how do you deal with AVCHD footage from SDHC cards with FCP? I mostly shoot P2 so I am totally familiar with the P2 workflow. What I am not familiar with are ProRes 422 and ingesting and dealing with AVCHD video.
1. I have a dual 2.3Ghz G5 PPC. 4GB Ram, FCP 6.02, Aja Kona 3, 8 drive 4TB Sata RAID.
2. How do you ingest AVCHD footage? Is it through log and transfer like P2?
3. What does FCP bring the AVCHD footage in as? Converts it to Pro Res 422 automatically? Or do you have to bring it in a Apple Intermediate Codec or can I/should I bring it in as DVCProHD codec?
4. Will my antique dual 2.3Ghz handle straight editing (NOT capturing obviously because it is from card) with ProRes 422 okay?
There will be no compositing, layering or anything fancy with the AVCHD footage, straight cuts and dissolves, but we do want to have the ability to output a quality HDCAM SR or D5 master for broadcast delivery. The Canon will shoot AVCHD 1920 x 1080, probably mostly shot in their version of 24p and 30p, which I believe is embedded in a 1080 60i stream.
If anyone has experience in dealing with AVCHD with an older G5 and outputting broadcast masters, please post your experience and what you know about the questions listed above.
Thanks,
Dan
I will be purchasing a Canon Vixia HF10 or 11 for an upcoming project. The project requires the smallest possible, least intrusive camera and from what I have heard from friends who own them and from other posters on the Net, the little Canons are pretty cool. Small, light, cheap and decent quality.
My question is, how do you deal with AVCHD footage from SDHC cards with FCP? I mostly shoot P2 so I am totally familiar with the P2 workflow. What I am not familiar with are ProRes 422 and ingesting and dealing with AVCHD video.
1. I have a dual 2.3Ghz G5 PPC. 4GB Ram, FCP 6.02, Aja Kona 3, 8 drive 4TB Sata RAID.
2. How do you ingest AVCHD footage? Is it through log and transfer like P2?
3. What does FCP bring the AVCHD footage in as? Converts it to Pro Res 422 automatically? Or do you have to bring it in a Apple Intermediate Codec or can I/should I bring it in as DVCProHD codec?
4. Will my antique dual 2.3Ghz handle straight editing (NOT capturing obviously because it is from card) with ProRes 422 okay?
There will be no compositing, layering or anything fancy with the AVCHD footage, straight cuts and dissolves, but we do want to have the ability to output a quality HDCAM SR or D5 master for broadcast delivery. The Canon will shoot AVCHD 1920 x 1080, probably mostly shot in their version of 24p and 30p, which I believe is embedded in a 1080 60i stream.
If anyone has experience in dealing with AVCHD with an older G5 and outputting broadcast masters, please post your experience and what you know about the questions listed above.
Thanks,
Dan