Ken Marsley
December 11th, 2008, 09:54 PM
Had a question about the cause of the the combing / mice teeth / interlacing artifacts in this video from NPR's music site:
Wu Han Plays Tchaikovsky, Month by Month
Wu Han Plays Tchaikovsky, Month by Month : NPR Music (http://www.npr.org/templates/story/story.php?storyId=91974368)
(I hope I'm not violating any rules by posting a link, here)
My question: is this due soley to not properly de-interlacing before encoding for web?
Or do these artifacts have to do with shooting in 30i vs 30p, or how a camera is deriving a 30p signal from its native 60i processing?
I'm obviously very new at this, reading everything I can. I'm looking to buy a camera to record classical musicians from a static position. I keep hearing about progressive vs interlaced as regards to motion, but I don't know if this applies to a static camera with a musician moving their arms/hands very quickly.
DVD and Web are my intended delivery media, (for which I've heard that I should go progressive) but I keep hearing that interlaced will give smoother motion to fast subjects.
Thoughts?
Wu Han Plays Tchaikovsky, Month by Month
Wu Han Plays Tchaikovsky, Month by Month : NPR Music (http://www.npr.org/templates/story/story.php?storyId=91974368)
(I hope I'm not violating any rules by posting a link, here)
My question: is this due soley to not properly de-interlacing before encoding for web?
Or do these artifacts have to do with shooting in 30i vs 30p, or how a camera is deriving a 30p signal from its native 60i processing?
I'm obviously very new at this, reading everything I can. I'm looking to buy a camera to record classical musicians from a static position. I keep hearing about progressive vs interlaced as regards to motion, but I don't know if this applies to a static camera with a musician moving their arms/hands very quickly.
DVD and Web are my intended delivery media, (for which I've heard that I should go progressive) but I keep hearing that interlaced will give smoother motion to fast subjects.
Thoughts?