Andy Yoong
November 25th, 2008, 08:06 AM
Hi,
I am currently shooting a project on downhill mountain bikes. I have been shooting alot in the 50i (pal) mode of the XH-A1 because it is the only way I can find that allows for smooth slow motion in post. Most of the shots are in 50i so I can choose what shots to slow down at the editing stage.
The final output I want to go for is progressive, because I prefer the more film like look, so I am dropping the 50i footage into a 25p sequence with a field dominance of 'none' in Final Cut Pro. Am I loosing much resolution by doing this? Are there better ways of de-interlacing? Is there an equivalent of converting the 50i footage to the 25f setting on the XH-A1 in post?
Any advice or suggestions on improved workflow would be greatly appreciated.
I am currently shooting a project on downhill mountain bikes. I have been shooting alot in the 50i (pal) mode of the XH-A1 because it is the only way I can find that allows for smooth slow motion in post. Most of the shots are in 50i so I can choose what shots to slow down at the editing stage.
The final output I want to go for is progressive, because I prefer the more film like look, so I am dropping the 50i footage into a 25p sequence with a field dominance of 'none' in Final Cut Pro. Am I loosing much resolution by doing this? Are there better ways of de-interlacing? Is there an equivalent of converting the 50i footage to the 25f setting on the XH-A1 in post?
Any advice or suggestions on improved workflow would be greatly appreciated.