Glen Maw
November 24th, 2008, 10:21 PM
Hello All.
I'm trying to film a sequence where I walk a steadicam through a busy urban street, then
speed that footage up to create the impression of the hectic pace of modern city life. I've done a few tests over the last few days and, naturally, it's more difficult to achieve than I had anticipated. Some issues are steadicam operator related i.e excentuated bumps etc, others are related to the camera - shutter speed etc, others to vegas.
This is a Vegas forum so I'll ask about the vegas issue here, but if you've had experience using a steadicam to achieve this technique I'd love to hear some ideas on the best way to pull off this shot.
Ok, so Vegas... When I speed up a clip using the timestretch function, there is a limited amount I can speed it up. I need it to be super fast. Is it best to render lossless, then speed up that render, and so on until I've got the speed I need or is there a better way?
It is going to be used as a transition sequence on a 25p project. It seems that speeding up 25p footage is giving me double vision. So if I film this sequence in 50i is it going to be all right to mix with the 25p footage on my timeline?
cheers,
Glen
I'm trying to film a sequence where I walk a steadicam through a busy urban street, then
speed that footage up to create the impression of the hectic pace of modern city life. I've done a few tests over the last few days and, naturally, it's more difficult to achieve than I had anticipated. Some issues are steadicam operator related i.e excentuated bumps etc, others are related to the camera - shutter speed etc, others to vegas.
This is a Vegas forum so I'll ask about the vegas issue here, but if you've had experience using a steadicam to achieve this technique I'd love to hear some ideas on the best way to pull off this shot.
Ok, so Vegas... When I speed up a clip using the timestretch function, there is a limited amount I can speed it up. I need it to be super fast. Is it best to render lossless, then speed up that render, and so on until I've got the speed I need or is there a better way?
It is going to be used as a transition sequence on a 25p project. It seems that speeding up 25p footage is giving me double vision. So if I film this sequence in 50i is it going to be all right to mix with the 25p footage on my timeline?
cheers,
Glen