David Lorente
June 24th, 2008, 08:00 AM
Hello everybody.
I need some advice on how to do the following: in FCP 6, I have to soften the color artifacts from some footage shot with a Z1 in the Cineframe mode. I have seen that by appliying the deinterlace filter set to lower field, the ugly color artifacts are softened exactly the way I want to. The problem is that the image is slightly blurred.
So here's my question: is it possible to apply the deinterlace filter only to the chroma channels of the image, and leave the luminance untouched? I have tried superposing the same clip in the sequence, one with the antiflicker and the other clean, but the different composition modes don't include a mode to take the luminance from one clip over the chroma of the other (or viceversa).
By the way, Photoshop has some modes of layer composition that can do this, but exporting over 2 hours of HDV footage to still frames is out of question.
I need some advice on how to do the following: in FCP 6, I have to soften the color artifacts from some footage shot with a Z1 in the Cineframe mode. I have seen that by appliying the deinterlace filter set to lower field, the ugly color artifacts are softened exactly the way I want to. The problem is that the image is slightly blurred.
So here's my question: is it possible to apply the deinterlace filter only to the chroma channels of the image, and leave the luminance untouched? I have tried superposing the same clip in the sequence, one with the antiflicker and the other clean, but the different composition modes don't include a mode to take the luminance from one clip over the chroma of the other (or viceversa).
By the way, Photoshop has some modes of layer composition that can do this, but exporting over 2 hours of HDV footage to still frames is out of question.