Eugene Kosarovich
May 22nd, 2008, 06:43 PM
I want to make sure I'm setting the Master Black correctly.
With previous cameras, I've always adjusted the Master Black so that with my iris closed, at 0dB gain, I'll see 7.5 IRE on my waveform monitor here in my NTSC country.
I would do that and that was it, and I'd never adjust it again. For my scene file, I normally use the Australian settings that Uli posted, and I am quite happy with them. I also sometimes use some of the Sony scene files.
The point being, the Australian settings have the Master Black at -3, which is where it should be based on what I see on my waveform monitor, using my method described above.
But a lot of the other scene files have many different negative Master Black levels. I thought that making it match 7.5 IRE is what one had to do to stay legal, since anything lower goes into super black, which shouldn't be legal in a NTSC country with 7.5 IRE setup level.
Also, in Greg Boston's excellent F330/F350 training DVD, he mentions that a Master Black of 0 corresponds to 3 IRE in a F350. But again, based on my tests in my F335, a Master Black of 0 would put my setup level above 7.5 IRE.
But then I have my other test finding that a B&W checkerboard pattern will show spikes below 7.5 IRE at each contrast change to black, getting down right about to 0 IRE. This is with Detail turned on but set at 0. (Of course, it can be set lower than 0 or turned off entirely, though I haven't tested that setting on the waveform monitor yet to see if the spikes go away.)
So am I correct in how I set my Master Black? Or is there more creative freedom with it than I've been using? My camera doesn't have a limiter to clip me to legal, but my NLE can if I need it to, effectively crushing extreme black.
With previous cameras, I've always adjusted the Master Black so that with my iris closed, at 0dB gain, I'll see 7.5 IRE on my waveform monitor here in my NTSC country.
I would do that and that was it, and I'd never adjust it again. For my scene file, I normally use the Australian settings that Uli posted, and I am quite happy with them. I also sometimes use some of the Sony scene files.
The point being, the Australian settings have the Master Black at -3, which is where it should be based on what I see on my waveform monitor, using my method described above.
But a lot of the other scene files have many different negative Master Black levels. I thought that making it match 7.5 IRE is what one had to do to stay legal, since anything lower goes into super black, which shouldn't be legal in a NTSC country with 7.5 IRE setup level.
Also, in Greg Boston's excellent F330/F350 training DVD, he mentions that a Master Black of 0 corresponds to 3 IRE in a F350. But again, based on my tests in my F335, a Master Black of 0 would put my setup level above 7.5 IRE.
But then I have my other test finding that a B&W checkerboard pattern will show spikes below 7.5 IRE at each contrast change to black, getting down right about to 0 IRE. This is with Detail turned on but set at 0. (Of course, it can be set lower than 0 or turned off entirely, though I haven't tested that setting on the waveform monitor yet to see if the spikes go away.)
So am I correct in how I set my Master Black? Or is there more creative freedom with it than I've been using? My camera doesn't have a limiter to clip me to legal, but my NLE can if I need it to, effectively crushing extreme black.