Let me get this straight, you have an opportunity to take a family vacation and enjoy time to cool your jets at the beach, but you would rather shoot a wedding?

Our short film has already been accepted into 2 regional and 2 national level festivals (we're hoping for more), but we would really like to improve the soundtrack.

We have all the elements ready and synced, but some of the audio is recorded poorly, and there is some inconsistent room noise.

This project was entirely funded out of project so we can't pay much, but it's a good opportunity for a credit in a film that will hopefully play at lots of festivals.

Anyone interested?

I do this type work, but I don't do it for film credit.
Look at it this way, by paying a qualified professional to to mix your project, you have the opportunity to score at the film festivals. Instead of having your film lumped into the pile of other films with bad sound.

If the poor audio hasn't any dialogue you should be able to build it up by doing some Foley and building it up layer by layer. If it's dialogue you may have more difficulty, needing to do ADR or looping the dialogue.

Recording room tone or atmos tracks will cover the variations to some extent, but you really need good location mic work for the dialogue.

It's well worth having a professional sound mix done, what seems good on the edit moves up to the next level in the dubbing theatre.

Let me get this straight, you have an opportunity to take a family vacation and enjoy time to cool your jets at the beach, but you would rather shoot a wedding?

Yep! Can't sit still on the beach for 8 days straight!

jones

Still no takes?

I guess I am going to alt direction, then...

I would love to watch an EX3/EX1 in action and be able to view the results in person. Is there anyone in the Greater Raleigh NC area who would like to show off the fancy camera for me, or let me get my hands on some of the footage so I can see how the editing process goes (from the card to the computer to the actual edit).
Before I dive in and buy one, I would like to get my feet wet first.

Message me or reply to this post.
Greatly appreciate any help!

Thanks
Jason
Garner, NC

Anyone know of a place to rent this? A quick search showed some huge rental companies, but I only need an interview type kit (Arri 4 light kit, 4 c-stands, flags).

Anyone know of a good place to rent this stuff?

Thanks.

Kevin

(kevinwild@mac.com)

Hello, my friends! As I am looking for more super-high-quality work, I will continue to make more buzz until it finally pays off!

My name is Erez Henya and I am an ambitious film composer collaborating with great filmmakers internationally. I love doing what I do and I give all my heart to it with a bold passion. I also give a great importance to the pleasure of collaborating. There's nothing like working with new friends, not just filmmakers, that you feel open with. Great ideas come from both sides pretty easily this way, and the communication (a key component in any film production) is clear, many times also predictable.

I am ready for new challenges, and I would love to see you on my humble website and hear from you what you have to say about my music, as well as how you think I can execute your artistic vision to this great upcoming film of yours!

So there you go, my friend, please feel welcome to contact me at erez@erezhenya.com or through a PM here, if you dare! :-)

I am looking forward to hearing from you and working with you!

Feel free to write to me for a free quote,

Erez Henya,
Professional Film Composer
Erez Henya - Film Composer (http://www.erezhenya.com/)

I'm in the process of preparing for a move to Vancouver from my long time home in Winnipeg on the Canadian Prairies. I'd love to meet up with any and all DVI Forumites who may be lurking around Vancouver from about May 1st to 6th or 7th. Love to chat over coffee or knock back an amber adult beverage and swap tall tales and network a bit (my accountant says I can write off at least SOME of my tab if I talk shop...).

Drop me a line here or via e-mail. Love to put faces to the names and make some new friends.

Hey Shaun,
Are you done all your winnipeg productions and starting fresh out here?

Vancouver is a great city I'm sure you'll love it. I doubt I'll be around much while you're in town but good luck with all the efforts involved in moving!

All finished in Winnipeg may be a stretch but I am VERY seriously looking at making Vancouver my home. Perhaps the next trip out... And thanks for your input! I've always enjoyed Van. Time to put my money (and my fanny!) where my mouth is... um, that may have come out wrong...

I am willling to work on your projects if you can help me on mine.

I've got a CP-16r 16mm camera, I will have a Tascam either dr-100 or HD-p2
with AT 835b shotgun and CAD-100 Cardoid.

Weekends only, I have a day job.

Thanks

Alain

No, it came out just right!...

Looking for some help for a 6/5 wedding in north NJ. This is a Friday, coverage approx noon to 11PM. Would like someone skilled with XH-A1. I will provide all the gear. Let me know if you're interested/available.

Thanks - Art

Just sent an email your way.

-dave

Hey Shaun,
let me know when you're in town and we'll go out for a drink.

~Justin

Awesome Justin, I'll take you up on that. Should hit town either April 29 or 30th.

Sounds good to me.

I'll be working on a documentary shoot in Germany in early May and need to find a good Steadicam owner/operator for a day's work filming a large art installation. The location is Essen, Germany and we'd prefer someone who can work locally. If interested, please don't hesitate to contact me at "kwsavoie (AT) gmail.com". Thanks!

Hello guys,

I'd like to offer my help for everyone who needs 2nd shooter in NY/NJ area. I do mostly weddings (for last 3 yrs) and that's where I have the most experience I can share. I have my own equipment - Sony FX1000 with tripod, on-camera lighting, and wireless mic.

You can contact me via email: lukas (at) dreamin-tv (dot) com or via this forum.

All the best,
Lukas Siewior

Friendly little bump: if any of you Vancouver based DVI Forumites want to sit and chat while I'm out, I'd love to meet you and get a State of Vancouver briefing. I'll be checking the forum while away but may not be able to check e-mail that easily. My IT guy is trying to fix it all up for me. What do I know, I just make pretty pictures (and some ugly ones, but that's by design...)

Went from DVX100B to XH-A1s and it is way more complicated.

I need somebody in the Los Angeles area (I'm in Santa Monica) that knows this camera inside out and backward to go over the manual page by page with me and show me every single feature and setting. Not a general overview, but a detailed surgical overview.

Probably take about 3 to 4 hours and pays $100.

If interested, and you really feel confident that you can explain every single aspect and not insulted by $100, please contact me by e-mail at Olsensm@aol.com.

Kelly a lot of folk found this and worked their way through it. I'm not saying don't hire someone, but before you do, suggest you get a basic knowledge of your A1, and write out your questions based on what you want to shoot.

3 or 4 intensive hours cold with the A1 could well be major overload. Hang in there ... and here :)

Cheers.

I think the idea of this community is to help each other out for free. If you don't mind taking a drive to the valley, I'd be happy to take some time and take you through using the camera in Manual mode (which is the best way to get the most out of the camera, IMO).

Thanks for taking the time to reply. Yes, there is a lot of great information here on this site as well as a few others and people are very generous with their information. I learned so much when I had my Panny DVX100B. But as much as I learned from Barry Green's book on the DVX, I went to a guy who spent time with me and just made me more comfortable understanding the settings and how to use them.

I have been shooting 35MM SLR for years and I have been using a Canon Optura Pi DV camera for years, as well as the DVX, and it is amazing how similar the interface of the a1 is with the Optura. But the a1 is so much more complicated with getting to the settings and such and has so many more of them. But I know about aperture, shutter speeds, depth of field, lighting, sound and the basics of photography/videography.

I have started a documentary which is completely funded by my savings and I am lucky enough to have some celebrities be willing to be in it because they love the two people who are the subjects of the doc (Marty and Elayne from the movie "Swingers".)

I'm only mentioning "celebrities" (Drew Barrymore, Keifer Sutherland, Vince Vaughn and a few more so far) not to try to impress, but to show that I can't have them sitting in a chair for free with limited time and me fumbling around with the camera.

And yes, I should have somebody else work the camera, which I want, but I still need to know the camera for the interviews with the not so "special" people who I will be more relaxed around, but I still need to be competent with the camera.

As far as me going to the Valley, that is not a problem for me at all. I have a completely flexible schedule and available anytime, any day, and I appreciate the offer. The part about money is that I don't have a ton to throw around, but I never want to take advantage of anybody and money is one way of letting somebody know you value their time.

I do things and help people a lot and don't expect anything in return. But when asking strangers, I don't want to just presume that people know I'm a great guy and it will be fun helping me (Yea, sorry, I'm a guy for anybody that got confused by the girl's name).

So, yes, I still feel I need in person help, and yes, 3 or 4 hours may be too much, but I really want to be able to go over every page of the manual so that I have a pretty good understanding of it.

There is the distinct possibility that if there is somebody around here that wants to help me out now to get me to feel comfortable with the a1, then I would ask them if they want to do the camera for the actors mentioned above when I'm interviewing them (which I would pay something) and it would just be fun and could be used for a reel if you wanted.

Thanks again, and let me know.

Kelly
310-883-4705
Olsensm@aol.com

Sent you an email.

Are there any fellow DVinfo groupies in Houston or near The Woodlands with an EX1/3? I know we rented an EX1 for Woodlands Church a year ago, but no one knows from who.

I'm only mentioning "celebrities" (Drew Barrymore, Keifer Sutherland, Vince Vaughn and a few more so far) not to try to impress, but to show that I can't have them sitting in a chair for free with limited time and me fumbling around with the camera.

GOOD GRIEF!! Thank goodness for cheap flights, just booked one to Cal.

Cheers.

Hi, I was looking to hookup with any EX shooters in my area, chew the fat or colaborate.

We have some business brewing and are looking for crew and/or second camera.

Seeking camera operator with a Canon XHA1 for corporate video shoot. Shoot will take place in Forrest Hills, Queens on May 20th. Load-in at 8AM – we hope to be out by 6pm.

Individual must have lighting and sound experience as well. The job will also entail loading in and out, setting up lights, mics, etc and dressing the room for the shoot (with other crew members).

Must have an excellent eye, great at keeping sharp focus and a smooth steady hand. Will be shooting a table discussion where following the conversation is critical.

Only those with professional corporate experience please reply. Because it is a corporate video shoot, look, attire and appearance is important. Button down shirt and dress slacks (or nice jeans) required.

Please reply with introduction letter/email and list of relevant experience, reel (or resume). Let us know why you are right for this job.

Please include your day rate including camera.

Contact: purefrequencypro@aol.com

Hey David It' Mike Canion, here. Sorry I haven't got back in touch with you lately. I've been a little busy.

I have an EX-1 available for rent. And I live here in The Woodlands.

Just let me know when you need it and what you need with it (tripods, lights, etc.)

The best way to contact me is through my email or cell phone.

QGP@inbox.com
713 898-6025

Thanks,
Michael Canion

sorry wrong coast..disregard.

Just sent you an email.

This summer, after graduating high school, I’m going to be doing a solo extended travel around the U.S. living in my car. While on the trip, I want to work on as many shoots as possible (narrative, doc, commercial), and I’ll gladly do it for free. The goal is to gain experience and meet as many of you as possible. I’m willing to stay in one location for a month or more working on a feature, or just help out on set for a day.

The only experience I have on 35mm sets is as an electrician. I worked as an electrician intern on Ex-Terminators (shot in Austin, TX) for about 20 days, and that’s the only time I’ve worked on what I consider a “big set.” I learn quickly and am glad to work as any position; I just might be asking lots of questions in the beginning.

Aside from that, I’ve worked as various crew positions on about a dozen short films and documentaries. I’ve been camera operator, boom operator, gaffer, grip, 2nd AC, loader (I’ve only loaded with the Arri SR2), steadicam op, and PA. I have lots more to learn in every department, so I’m happy with any position I can get.

Anyway, if you think there’s a chance that I could be useful on anything you are working on, please let me know. I’ll probably bump this thread once the trip begins, so if you don’t have anything planned now, maybe you will then.

Also, if you’re interested, you can check out the travel blog at Drewott’s Travel Blog (http://drewott.wordpress.com). It’s not geared toward filmmaking, but you’ll be able to follow where I am if you want to meet or work with me. The trip hasn’t started yet because I’m still a senior in high school. I think I'm going to leave in July.

One more thing: I wasn’t planning on bringing any gear, but I own a Canon XHA1, so maybe I’ll bring that in case anybody is interested in shooting something with it.

My email is DrewOtt@DesolateFilms.net

-Drew Ott

Anyone in San Antonio that wants a quick gig next week?

I need someone to shoot some very brief testimonials at a training session for one of my clients. Incredibly easy shoot, just have to get some talking heads. Should be in and out in under an hour.

Would need an HDV cam, lapel mic, and lights. I can provide some examples of stuff already shot for this client.

Shoot would be either the 14th or 15th of May.

Let me know if interested and rates.

bryanmc @ gmail.com

Congratulation Andrew for finishing your high school and your trip this summer.

I don't even have a quarter of the experience in video you have(never worked on a big set)
but I never and will never work for free.
Website like Crai...list are full of jobs for people who wants to work for free.
When I watch the job offers in New york city, most of the producer hires only interns or volunteers that have their own video cameras.
I am not doing a critic of your choice or way of gaining experience but I see a lot of people
ready to work for free.

Honestly, this is exactly the mentality you need to have when building a network. By waiving petty equipment fees and day rates that probably amount to a couple hundred dollars, you make strong business connections that will eventually be worth thousands. Let me know if you find yourself in either the LA or Washington, D.C. areas and I can point you towards some colleagues.

Cooperation, not competition, is how you make it in "the biz." Working for free is more of a gesture in that direction.

Thanks for the kind words.

I think working for free is an important part of gaining experience. If I wanted my first job on a film set to be paid, I would have never found any work -- especially with my age. I understand and agree with you that everybody should be compensated for work in some way, but to me the experience is more valuable than money, at least in the beginning stages.

Honestly, this is exactly the mentality you need to have when building a network. By waiving petty equipment fees and day rates that probably amount to a couple hundred dollars, you make strong business connections that will eventually be worth thousands. Let me know if you find yourself in either the LA or Washington, D.C. areas and I can point you towards some colleagues.

Cooperation, not competition, is how you make it in "the biz." Working for free is more of a gesture in that direction.

Yes, this is sort of what I'm trying to get at. I realize there's no way for me to make connections by saying "Hey... will you pay me to work, even though you don't know who I am and I don't have much of a resume?"

Anyway, I really enjoy working on sets so working for free doesn't feel anything like work to me. I'm traveling through LA for sure, so I'll contact you then. Thanks!

I just sent you an email.
Thanks,
James F

Your way of finding work is probably good, and its the way new generation do business,
everything for free: music,movies,advertising,newspaper etc. In the same time all the media business is falling down because there is not enough revenue. Just look that nobody wants to pay, including the new producers. I will have to get use to it because asking a salary is so ”80s”(just a joke)
Keep us in touch with your trip and your progression in the busine$$

My guess is that you will also chronicle your adventure to-camera frequently. There is a good little story in that depending on how far you want to take it.

Some film sets are closed to crew cameras. Take care to enquire beforehand if you want some happy snaps and of course do not let this activity cause fault to your work.

Good luck on your journey and enjoy.

It probably would not hurt to blog your adventure on this site every week or so. Be mindful to check with any ADs on a project that it is okay to do so and to draw the line on what information is allowed to go out. Some may be happy for all the free publicity they can get, others may want to stay quiet until a time of their choosing.

(Young people these days - all the upfront confidence in the world or putting up a good front. Regardless, the world is not doomed for lack of motivation in the current generation).

How far South are you? I am on the North Coast but my folks live in Shellharbour and I am down there a bit

Hi,

Need a shooter with experience and this years NAB Best of Show cam the JVC HM700?

Call for day rate quote.

Edwards Video Productions
30 Harmon Drive
Lebanon, IL. 62254
618.537.6207
Introducing Edwards Video Productions, Corporate, Legal, Internet/Web, Graphics, Wedding, Event, Consumer Video and Conversions (http://www.evideop.com)

1-2 Saturdays per month in peak seasons. Send me a PM with a demo. Thanks!
If you can hand me SD cards t the end of he night, that's a huge plus. We'll provide the cards of course. Let me know what cam you have and other gear that might be helpful.

Hi,

Seeking a creative and energetic assistant camera-person with flexible hours for a new video shoot of new pending security door brace/lock that stops violent home invasions and burglaries. Over the past few years I have personally scripted, shot and edited (with help) most of hour product videos. I am far from an expert, however I believe our current product videos convey the intended message.

Please review the following links:

ShatterGARD Window Protection Film - Demonstration (http://shattergard.com/demo.html)

YouTube - FogSHIELD (http://www.youtube.com/watch?v=WEGMhWkvRAo)

FogSHIELD Security Foggers, Stops A Burglar in Their Tracks (http://www.fogshield.com) once demo plays, click on video selector on right of page and choose from various videos.

So the above links give you a rough of idea of the type of production and story line were seeking on our new product. I will probably will shoot a mock home invasion, a before and after scene with our new lock installed etc. Believe it or not I have already built an indoor set at our Atlanta office consisting of a lit façade of a home with doors, brick facing etc.

I like to shoot with two and three cameras simultaneously. I presently utilize a Panasonic AG-DVX100B, JVC Hard drive CCD and Cheepy Panasonic cam. Should you happen to have a good camera and/or have the ability to also edit the footage-that would be great.

Recap: Can you operate a camera, set up lighting, tripods and possibly edit the footage? If your looking to make extra money and have fun.. then I have several projects waiting for you!!

Thanks very much,

Jordan

Haha, love that fog thing, reminds of those baked beans I had a party once. I'm curious, what happens if the burglar breaks-in when I'm at home? Do I have to remember to disarm it?

BTW, I think it would be more effective if you started with a title screen, perhaps with, "Watch What Happens When a Burglar Goes Up Against Fogdog."

One more if I may. The music seems wrong to me for a burglary. You need a stealthy, suspense-building tune.

Finally, not sure, but that appears to be an interior door. Could cause a credibility issue.

The market for this gig has been established as the Atlanta area, but there should be some indication of how much time will be required and what pay rate is offered, even if it's in the form of a request, such as "please let me know what your day rate is." To establish the number of shooting days required, the target run time should be stated... will this be a half-hour infommercial, or a thirty-second spot, or a three-minute web video, etc. -- or all of the above?

I am not too far away, my parents live there, so lodging not a problem. at your disposal would be an EX1, HMC150 and probably a Canon A1 w/firestore. when you come up with rates and time, drop me a PM or email.

Jordan, I am a long time resident of Atlanta. I life in the Virginia-Highlands area. Sounds like this could be fun. I shoot with the Canon XL-2 w/both 20x and 3x, but have access to other equipment. I edit on Vegas Pro 8. Bob Safay