Kevin Randolph
December 5th, 2007, 02:28 AM
I'm looking to expand my kit a bit, but as usual it will be a small budget expansion. I'm looking to be able to shoot a long shot in "White Limbo," think of the Mac commercials. Here's my most recent attempt with the kit I have:
http://www.youtube.com/watch?v=2y_It6cI2hA
Attached is the lighting diagram for the shot.
As you can see, I've dusted off the worklights to light the background, which worked fairly well. The only issue there was that the light wasn't quite even enough with just the two lights on either side. I think I'll need to add at least one, if not two work lights at a lower height to light the background completely even. I had to do some masking on the 3/4 shot to compensate. But that isn't my main question.
If you look at the 3/4 shots in the video, the light is falling off considerably as it goes towards her feet. So much so I had to shoot 3/4 shots instead of full length shots. I know I need lights for side fill, but the question is what lights would be best, and least expensive?
I want to buy versatile lights that will work for other applications, mainly being able to use one of them as a fill light when I shoot interviews (so I can ditch the reflector, or use it for something else). I've thought about some of the fixtures over on Cool Lights USA (primarily the CL 255), but I'm not sure if this is the right option. Also, two of these - even at the sale price - would be at the top end of the budget (about $400 once I get stands other odds and ends).
Should I be looking at a couple Totas with umbrellas? There's a kit over at B&H. Omni Lights with softboxes? Lowell DP Lights? Something else?
I apologize for the long winded, rambling question. Any help or suggestions would be great.
Thanks,
Kevin
http://www.youtube.com/watch?v=2y_It6cI2hA
Attached is the lighting diagram for the shot.
As you can see, I've dusted off the worklights to light the background, which worked fairly well. The only issue there was that the light wasn't quite even enough with just the two lights on either side. I think I'll need to add at least one, if not two work lights at a lower height to light the background completely even. I had to do some masking on the 3/4 shot to compensate. But that isn't my main question.
If you look at the 3/4 shots in the video, the light is falling off considerably as it goes towards her feet. So much so I had to shoot 3/4 shots instead of full length shots. I know I need lights for side fill, but the question is what lights would be best, and least expensive?
I want to buy versatile lights that will work for other applications, mainly being able to use one of them as a fill light when I shoot interviews (so I can ditch the reflector, or use it for something else). I've thought about some of the fixtures over on Cool Lights USA (primarily the CL 255), but I'm not sure if this is the right option. Also, two of these - even at the sale price - would be at the top end of the budget (about $400 once I get stands other odds and ends).
Should I be looking at a couple Totas with umbrellas? There's a kit over at B&H. Omni Lights with softboxes? Lowell DP Lights? Something else?
I apologize for the long winded, rambling question. Any help or suggestions would be great.
Thanks,
Kevin