Joachim Hoge
October 27th, 2007, 01:40 PM
I was on a recent 3 days shoot shooting DVCPro (using a 2/3 camera). I was supplied a JVC 101 to use as a B camera. The JVC turned out to be broken when we unpacked the camera. (Before you ask, it worked when we checked it out the day before)
I had my personal XL-H1 with me and since we were e shoothig Progressiv, I decided to shoot in HDV 25f to best match the quality of the DVCPro.
I (stupidly) assumed Avid supported 25f by now (I have FCP at home), but the Production company have a few Avid Express suites that they will be using for this project.
I´m going there on Monday to capture the footage (I have to use my camera as the Sony decks won´t play back the Canon footage)
What way is the best to get this footage into a DVCPro time line in Avid?
Should I capture it in FCP at home and convert it to DVCPro there and bring it on an external HD?
Or is it not possible?
Any help would be appreciated.
PS I´m not an editor, I´m a cameraman that mostly hand over my footage to Editors after a dayus work
I had my personal XL-H1 with me and since we were e shoothig Progressiv, I decided to shoot in HDV 25f to best match the quality of the DVCPro.
I (stupidly) assumed Avid supported 25f by now (I have FCP at home), but the Production company have a few Avid Express suites that they will be using for this project.
I´m going there on Monday to capture the footage (I have to use my camera as the Sony decks won´t play back the Canon footage)
What way is the best to get this footage into a DVCPro time line in Avid?
Should I capture it in FCP at home and convert it to DVCPro there and bring it on an external HD?
Or is it not possible?
Any help would be appreciated.
PS I´m not an editor, I´m a cameraman that mostly hand over my footage to Editors after a dayus work