Paul Nixon
October 9th, 2007, 12:56 PM
I'm a beginner moving from point and shoot to being interested in budget lighting. I've read a number of articles now about different kinds of lights and diffusion and how to do things on the cheap, but I'm wondering how much of this applies to outdoor lighting as opposed to indoor.
For example, I have a couple of the 500W halogen work lights, and I just tried to use a bed sheet over a light stand with the work light positioned about 2 feet behind. I could see no difference in lighting about 5 feet in front of the sheet. I could see some difference using the light directly, but surprisingly less than when I used two 100W flood lights directly. All of this gave an orange glow to my "actor" (7yo son) which would be fine except it didn't look natural. I'm reading and know I need a blue gel to adjust the tungsten to daylight and have a bid in on a new light with a 4-color pack of gels. No idea if it's the right "blue" or not but it's a start.
The "scene" I am trying to create is of my son sitting beside our pond. He's into karate and, at 7, also wants to be a super hero - Spider Man if possible - the black-outfitted one. In my "movie" he's not having much luck at being the super hero, and this particular scene will have a CGI character give him advice. It probably sounds more complicated than it actually is.
Anyway, right or wrong, good or bad, the location is in our back yard - in Phoenix where it's bright and sunny almost every day. Morning light in my chosen spot is what I'd describe as strong sun beams through trees from the left. Afternoon has the sun on the right, and there is a line of large trees which put the yard into shadow. I *think* afternoon would be a better time for shooting as the light is more even?
And how much light is too much? And how many lights? For example, yesterday I experimented using only two lights, both 100W halogen floods. Today I used only a 500W work light. These seem to produce lots of light but also cast shadows. Does that indicate I should move the lights closer, further away, reposition more to the sides, more to the middle, higher, lower? Is there a rule of thumb? What about a back light?
Thanks.
For example, I have a couple of the 500W halogen work lights, and I just tried to use a bed sheet over a light stand with the work light positioned about 2 feet behind. I could see no difference in lighting about 5 feet in front of the sheet. I could see some difference using the light directly, but surprisingly less than when I used two 100W flood lights directly. All of this gave an orange glow to my "actor" (7yo son) which would be fine except it didn't look natural. I'm reading and know I need a blue gel to adjust the tungsten to daylight and have a bid in on a new light with a 4-color pack of gels. No idea if it's the right "blue" or not but it's a start.
The "scene" I am trying to create is of my son sitting beside our pond. He's into karate and, at 7, also wants to be a super hero - Spider Man if possible - the black-outfitted one. In my "movie" he's not having much luck at being the super hero, and this particular scene will have a CGI character give him advice. It probably sounds more complicated than it actually is.
Anyway, right or wrong, good or bad, the location is in our back yard - in Phoenix where it's bright and sunny almost every day. Morning light in my chosen spot is what I'd describe as strong sun beams through trees from the left. Afternoon has the sun on the right, and there is a line of large trees which put the yard into shadow. I *think* afternoon would be a better time for shooting as the light is more even?
And how much light is too much? And how many lights? For example, yesterday I experimented using only two lights, both 100W halogen floods. Today I used only a 500W work light. These seem to produce lots of light but also cast shadows. Does that indicate I should move the lights closer, further away, reposition more to the sides, more to the middle, higher, lower? Is there a rule of thumb? What about a back light?
Thanks.