Robert Wheeler
September 28th, 2007, 07:26 AM
Now I've got a couple of distributors who are keen to see my film. However, I don't actually have a completed version of the film to show them. It is a concert film, and I am currently awaiting a finished stereo mix from the engineer, and I am also thinking about brining someone in to carry out colour correction. We have also been discussing shooting some ambient pickups of the venue.
Given the above, I would be interested if the season professionals would hold back presenting anything until the work is complete, or to send a work-in-progress preview to the distributor with the aim of securing a deal and finance. I could really do with an advance to get the surround mix and colour correction carried out. However if I send the current version, I think they might reject it as we shot in a church with varied light conditions and it really needs some work. I anticipate that the finished cut with be ready in a month at best.
Any advice gratefully received. And I'll also take quotes from those proficient at colour correction in Vegas.
Cheers,
Rob,
Given the above, I would be interested if the season professionals would hold back presenting anything until the work is complete, or to send a work-in-progress preview to the distributor with the aim of securing a deal and finance. I could really do with an advance to get the surround mix and colour correction carried out. However if I send the current version, I think they might reject it as we shot in a church with varied light conditions and it really needs some work. I anticipate that the finished cut with be ready in a month at best.
Any advice gratefully received. And I'll also take quotes from those proficient at colour correction in Vegas.
Cheers,
Rob,