Luke Stoneburner
August 23rd, 2007, 02:21 AM
Hi all!
So, I have a Rode NTG-1 that I'm going to be using a lot outside, boom-mounted and hand held, on location in Tokyo over the next year.
I am looking into getting it a fur coat to cut down on wind noise and (after searching the forums here) four options have risen to mind:
1 ) Make a furry windscreen (to slip over the foam that came with the microphone).
2 ) Buy a Rode DeadCat. (About $40.)
3 ) Buy a Rycote Mini WindJammer. (About $40.)
4 ) Buy a Rycote WindJammer. (At least $125.)
I'm wondering how each of these performs in terms of wind rejection and audio coloration.
I've read that the WindJammer can handle winds strong enough to cause tree branches to whip around. If that's so, I suppose the DeadCat and Mini WindJammer can handle breezes strong enough to move tree limbs about, but not enough to make them whip back and forth like just before a thunderstorm.
On that note, are the DeadCat and Mini WindJammer essentially substitutes for one another--competing in the same product class? What are their similarities and weaknesses?
As for the home-made option: what makes an ideal fur for reducing noise from wind?
I understand having air space between the fabric's backing and the microphone itself is key. Using the foam gag that comes with the mic is a suitable means to simulating the air of a zepplin, but at the cost of losing some high end. (Do I have this right?) The density of the fur and pore-size of the backing effecting sound colorization and overall attenuation--with larger pores equating to less colorization, right?
Length of the fur and density together determine the maximum velocity of wind against which the home-made fuzzy can protect, right?
So many questions, so little time.
--Luke
So, I have a Rode NTG-1 that I'm going to be using a lot outside, boom-mounted and hand held, on location in Tokyo over the next year.
I am looking into getting it a fur coat to cut down on wind noise and (after searching the forums here) four options have risen to mind:
1 ) Make a furry windscreen (to slip over the foam that came with the microphone).
2 ) Buy a Rode DeadCat. (About $40.)
3 ) Buy a Rycote Mini WindJammer. (About $40.)
4 ) Buy a Rycote WindJammer. (At least $125.)
I'm wondering how each of these performs in terms of wind rejection and audio coloration.
I've read that the WindJammer can handle winds strong enough to cause tree branches to whip around. If that's so, I suppose the DeadCat and Mini WindJammer can handle breezes strong enough to move tree limbs about, but not enough to make them whip back and forth like just before a thunderstorm.
On that note, are the DeadCat and Mini WindJammer essentially substitutes for one another--competing in the same product class? What are their similarities and weaknesses?
As for the home-made option: what makes an ideal fur for reducing noise from wind?
I understand having air space between the fabric's backing and the microphone itself is key. Using the foam gag that comes with the mic is a suitable means to simulating the air of a zepplin, but at the cost of losing some high end. (Do I have this right?) The density of the fur and pore-size of the backing effecting sound colorization and overall attenuation--with larger pores equating to less colorization, right?
Length of the fur and density together determine the maximum velocity of wind against which the home-made fuzzy can protect, right?
So many questions, so little time.
--Luke