Luke Stoneburner
August 5th, 2007, 10:11 PM
I will have a chance to take a Panasonic AG-DVX100B up Mt. Fuji, Japan, next summer--but this coming year will be my first time shooting outside (I've only worked live performances indoors up to this point).
Though there is usually little to no snow on the mountain during the months I will be there (July and August), it is said that temperatures can easily drop below zero at night--especially on the summit. Throw in the relatively high probability of being hit by very strong winds, pounding rain and omnipresent volcanic, dusty conditions and I begin to fear for the life of my camera!
It has been suggested to me that I buy a PortaBrace rain slicker and polar mitten, but the very same expert whom I am relying on has admitted that his company has never tried to send a camera and crew into such extreme conditions before.
On one hand, I am tempted just to go with rather sturdy, translucent plastic bags and gaffer's tape for rain protection during shootable periods--and then my VidPro Vid200, water-resistant bag for hunkering down during the bad spells and general storage while hiking. My hope is that maybe plastic sealed by tape will hold up better against rain driven by gale-force wind than a proper, manufactured rain slicker with it's Velcro closings and open bottom for easy access to focus rings--but I don't know.
To be specific, I'm picturing the clear sort of plastic used for throw tarps in the United States--not bin liners or anything that can be so easily torn by hand as that.
As for the polar mitten--as I've said before, the temperatures during climbing season drop to around freezing for sure--but to nowhere near as cold as in arctic regions like Alaska or Northern Canada. I know for a fact that thousands upon thousands of people climb Fuji every year--very few of them with any climbing experience whatsoever and even fewer of them with any cold-weather gear at all. Surely, it gets cold--but it is still possible to grit it out in a windbreaker and jogging pants if you're crazy (a couple acquaintances of mine did this once just as a typhoon hit the volcano--they survived easily, but would never, ever set foot on the cone again, they said.)
Given that, would keeping the camera close to my body serve as heat protection enough and keep my camera functioning? I've seen a lot of people taking photos and little video clips with their cell phones on the summit at sunrise--but never anyone with a proper camcorder (or film, for that matter).
And what about the dust? Should the openings at the bottom of a rain slicker make me worried? Would a polar mitten solve all that? Does it make sense to use both a polar mitten and a rain slicker at the same time?
So many questions. Any advice or tales of related experience would be greatly appreciated!
--Luke
Though there is usually little to no snow on the mountain during the months I will be there (July and August), it is said that temperatures can easily drop below zero at night--especially on the summit. Throw in the relatively high probability of being hit by very strong winds, pounding rain and omnipresent volcanic, dusty conditions and I begin to fear for the life of my camera!
It has been suggested to me that I buy a PortaBrace rain slicker and polar mitten, but the very same expert whom I am relying on has admitted that his company has never tried to send a camera and crew into such extreme conditions before.
On one hand, I am tempted just to go with rather sturdy, translucent plastic bags and gaffer's tape for rain protection during shootable periods--and then my VidPro Vid200, water-resistant bag for hunkering down during the bad spells and general storage while hiking. My hope is that maybe plastic sealed by tape will hold up better against rain driven by gale-force wind than a proper, manufactured rain slicker with it's Velcro closings and open bottom for easy access to focus rings--but I don't know.
To be specific, I'm picturing the clear sort of plastic used for throw tarps in the United States--not bin liners or anything that can be so easily torn by hand as that.
As for the polar mitten--as I've said before, the temperatures during climbing season drop to around freezing for sure--but to nowhere near as cold as in arctic regions like Alaska or Northern Canada. I know for a fact that thousands upon thousands of people climb Fuji every year--very few of them with any climbing experience whatsoever and even fewer of them with any cold-weather gear at all. Surely, it gets cold--but it is still possible to grit it out in a windbreaker and jogging pants if you're crazy (a couple acquaintances of mine did this once just as a typhoon hit the volcano--they survived easily, but would never, ever set foot on the cone again, they said.)
Given that, would keeping the camera close to my body serve as heat protection enough and keep my camera functioning? I've seen a lot of people taking photos and little video clips with their cell phones on the summit at sunrise--but never anyone with a proper camcorder (or film, for that matter).
And what about the dust? Should the openings at the bottom of a rain slicker make me worried? Would a polar mitten solve all that? Does it make sense to use both a polar mitten and a rain slicker at the same time?
So many questions. Any advice or tales of related experience would be greatly appreciated!
--Luke