View Full Version : Half Day Rate?-around the Country


Eric Lagerlof
August 2nd, 2007, 02:57 PM
Doing some research for a client who's thinking of offering video web hosting services for a particular industry and is wondering about production rates. I voiced that a half day shoot for $300 would be about right, but would love to hear others chime in just to make sure I'm roughtly on the mark for most areas in th US. So if anyone wants to chime in...

The $300 assumes a single camera person with a basic interview package; a pro, 3 chip camera, tripod, lighting kit, monitor, lav and shotgun mic. DV format. The end product would be a 90 second, head shot, no b-roll required.

Any areas in the US where $300 wouldn't give the client a decent selection of shooters?

Pat Miller
August 2nd, 2007, 08:33 PM
wow. I work on a 4 hour minimum and a full day rate with a 8 or 10 hour maximum (depending on what we negotiate).
My camera equipment is extra and NOT included in the package--they have to rent it also if they don't provide me with one.

Steven Gotz
August 2nd, 2007, 09:43 PM
Eric,

My wife has family in Pacifica and I was there over the 4th of July. There is no way people there could live on $300 for a half day and still live a nice life in Pacifica is there? Unless they have been there a LONG time and own their own property.

I have a much higher per day rate and that doesn't include any equipment I might have to rent. I would be happy to work four hours, but I am getting paid for eight.

Stop to figure it out. If you work three days per week regularly, and you take a few weeks off for vacation, bad weather, whatever, it is difficult getting a decent wage at $1,000 let alone less than that.

Now, if you want someone who does this part time, or a pro who doesn't have enough business, maybe $300 would get you something.

Eric Lagerlof
August 2nd, 2007, 10:46 PM
Thanks for your comments. I've been working through the stagehands union, then doing post work; haven't done freelance shooting in years. So it's good to get a reality check.

Slightly off topic, Steven, I've enjoyed your Premiere Pro support, both in the forums and with your web page. And yeah, Pacifica IS expensive.

Bill Davis
August 3rd, 2007, 03:57 PM
Doing some research for a client who's thinking of offering video web hosting services for a particular industry and is wondering about production rates. I voiced that a half day shoot for $300 would be about right, but would love to hear others chime in just to make sure I'm roughtly on the mark for most areas in th US. So if anyone wants to chime in...

The $300 assumes a single camera person with a basic interview package; a pro, 3 chip camera, tripod, lighting kit, monitor, lav and shotgun mic. DV format. The end product would be a 90 second, head shot, no b-roll required.

Any areas in the US where $300 wouldn't give the client a decent selection of shooters?



Eric,

Let me ask you a question. When you book a "half day" who's EVER going to buy the OTHER half of your day?

Typical answer. Nobody. Ever.

In selling "days", you're selling inventory that is diminishing with every turn of the calandar page. Every unbooked day is a total loss in that business model. And every half day booked is the LOSS of HALF of your potential earnings.

So you should understand that selling half days as a matter of course is precisely the same as cutting your rates. Nothing more, nothing less.

Also note that most "pro" half day rates are never actually HALF of the full day rate, but often more like 70-80%. That acknowledges that there's no less prep, packing, travel, setup, strike and return involved, just perhaps a few less hours with the camera rolling.

Just some alternate business thinking to consider.

Greg Boston
August 3rd, 2007, 05:04 PM
Totally agree with Bill. Many shooters are not even offering half days. After all, it's rare that you can book and service 2 different clients in the same day.

My rate is based on a 10 hour day and doesn't include camera or other equipment. And it's higher than $300 for sure.

-gb-

Richard Alvarez
August 3rd, 2007, 05:19 PM
I'm one who doesn't book 'half days' either.

Don Donatello
August 5th, 2007, 10:42 AM
i never book 1/2 days in advance .. as of now i'm not working this Monday or Tuesday - so if i got a call this weekend then i might do it for 70% of day rate for 4hrs .. if we go 4 1/2 hr it's full day and i can tell you i haven't worked a 1/2 day since about 1990 ... but i do do travel days at 1/2 rate ...

i have a day rate ( no equipment ) - i'm strickly they ( producer) rent equipment from rental house or whomever ( and i don't pick up or return equipment) ... i show up with light meters only !

John DeLuca
August 5th, 2007, 12:19 PM
A lot of times the client will need 8 hours of shooting but only have a half day rate budget. This means they will work you to death and try to cram everything in as fast as possible. Then blame you later if anything goes wrong.

Kevin Randolph
August 6th, 2007, 10:49 AM
I don't believe in half days either. Now, on the other hand I tell my clients up front that I will work basically as long as I'm needed on the day that is booked, up to about 16 hours or so.

My wife wondered why I didn't book half days and my explanation to her was exactly Bill's.

FWIW...

Martin Pauly
August 6th, 2007, 03:03 PM
When you book a "half day" who's EVER going to buy the OTHER half of your day?

Typical answer. Nobody. Ever. Bill,

I agree with your statement, but that wouldn't prevent me from accepting a half-day job. Granted, your work may be very different from mine: First of all, video is only a part-time occupation for me. But second, and more important, the time I spend shooting is only a small fraction of what I do. All the editing and other technical work as well as administrative/business-type tasks are scheduled around the time spent on a shooting location. So if someone wants me for only half a day, I have more time back in my office to do all the other things I need to do.

I can see how this would be different for people that almost exclusively do the shooting (where others handle the editing and related postproduction work).

- Martin

Bill Davis
August 7th, 2007, 11:46 PM
I can see how this would be different for people that almost exclusively do the shooting (where others handle the editing and related postproduction work).

- Martin[/QUOTE]


I understand what you're saying. But I just don't see it the way you appear to.

In my opinion, time-based billing penalizes people who are good and fast.

If Sally can do a great video in 10 hours, but it takes Ralph 30 hours to do a mediocre one - in time based billing Ralph makes 3 times what Sally makes. That's INSANE.

Sally should make 3 times what RALPH makes because she's clearly better that he is!

It's an example of why I dislike time-based pricing - including day rates and/or half day rates.


FWIW.

Kevin Randolph
August 8th, 2007, 11:19 AM
So Bill, just to ask then...

I assume that you prefer to work on for a project rate. I can definitely see the benefit to that, for both you and the customer. I truly believe that the customer should not pay my learning curve, or anyone else's.

Here's my question - How do you come up with your project rate, without having a daily or hourly rate to base it on? You need to be realistic with yourself about the length of time that something will take you to complete, so that you can schedule your time accordingly. After that, you need to stick to your quote to the customer, bearing that the customer did not cause any delays/extensions in the work. So if I tell a customer that I can get the project done in 6 hours and for some reason I have a issue (of my own making) and it takes me 8 hours to complete the project, I still only charge for 6. It's my bad, I lose. However, if I complete a project to the specifications agreed upon by all relevant parties, and the customer changes the order, shouldn't they pay for the change? And if you don't have a daily or hourly rate that you've based your project quote on, then what do you charge for the change order?

I am not by any means saying that in your example Sally should get the shaft and be paid less than Ralph. By far Sally should be paid more, in your example. But, if Sally and Ralph can produce the exact same quality of work with the only difference being that Sally can do it in 10 hours and it takes Ralph 30 hours, then why shouldn't Ralph be paid the same as Sally? His hourly rate will obviously be less, and he should know that, but if they can both get the project done by the deadline, shouldn't they be paid the same?

Just curious...

Richard Alvarez
August 8th, 2007, 11:44 AM
Sally and Ralph will have different expenditures because of the time base involved. Being 'on the job' costs more the more time you spend on it. Crew, electricity and food costs might be fixed over the course of a day. Taking three days is more expensive than taking one.

Kevin Randolph
August 8th, 2007, 04:08 PM
Yes. You're right, Richard. Richard's profits will be less than Sally's, and that's Richard's problem for working slowly.

The root of my question to Bill is how is a project rate calculated without having a daily rate to base it on? That daily rate including the expenses that you've mentioned, Richard.

Richard Alvarez
August 8th, 2007, 04:55 PM
Kevin,

Attorney's bill at a quarter of an hour. (A few by the 10 minute.) If I call and ask a question that takes them five minutes to answer, I'm billed a quarter of an hour. Because THAT'S WHAT THE SERVICE of answering that question is worth. It's worth it to me to pay $75 dollars for that piece of legal advice, whether it takes them five minutes or 14 to give it. It's a SERVICE industry.
I'm not paying for the time it takes them to answer the question in particular, I'm paying for 15 minutes of their expertise. Might take them two minutes, might take them ten. If it goes over 15, I'm into the next quarter hour.

When I sell my 'day rate', it's a rate based on what I need to make it worth my while to go on a set and provide either the expertise (Or a combination of expertise and equipment) - "For a day". Sure, there are 'bulk options'. It's possible to get 'five for three' or 'seven for five' just like in rental situations. There is savings to be had in booking.

Am I willing to compromise? Maybe. Depends on the situation. Maybe I see ongoing work with this client. Maybe I see some sort of trade-off in goods or services that can be arranged. But the stated rate is a day rate.

Kevin Randolph
August 8th, 2007, 05:01 PM
I'm not disagreeing with you Richard. I think that you're spot on...

Bill Davis
August 8th, 2007, 05:50 PM
For Kevin, and everyone.

I wrote a bunch of stuff, but just threw it away. Because this is really pretty simple to my thinking.

If you want to sell time, fine. You have your personal inventory. It's not known, but it's finite. You'll never get more of it. I hope you sell it wisely.

If you want to uncap your earning potential, my advice it so find a way to charge, not for your diminishing stock of TIME, but for the results you achieve for your clients with your work.

Unlike time-based billing, such a system has no limits beyond your own abilities.

Good luck.

Bill Davis
August 8th, 2007, 06:12 PM
[QUOTE=Richard Alvarez;725725]Kevin,

Attorney's bill at a quarter of an hour. (A few by the 10 minute.) If I call and ask a question that takes them five minutes to answer, I'm billed a...

SNIP.

Actually, Richard, I'm not sure that's really accurate.

While successful attorneys do generate and track time-based billing for some purposes - I don't think that that's always where their real income is generated.

I could be wrong, but I *think* many attorneys and business law firms commonly use a system of RETAINERS to generate significant parts of their ongoing income. That's a laywer or law firm making themselves available to a client on an exclusive basis (relavent to a class of matters) should that client need their expertise and advice.

And, of course, in areas like personal injury stuff - attorneys that often do REALLY well, don't work "hourly" at all, but rather participate in a system of "judgement sharing", essentially partnering with their clients to share the financial results of successful litigation.

Which is pretty much what I'm proposing - decoupling your income from your hourly efforts in the hopes you can break free of the limitations of hourly thinking.

I would suspect that the money generated by by retainers and judgement sharing methods is generates more than the hourly billing stuff.

But I'm just guessing.

Paul Tauger (Hi Paul!), or other practicing attorney regulars here - want to weigh in on this with actual informed opinion?

Kevin Randolph
August 8th, 2007, 06:49 PM
Thanks Bill. I didn't quite know where you were going at in the beginning, but the "Judgment Sharing" analogy explained it quite well, for me. It's an interesting idea...

Thanks,
Kevin

Richard Alvarez
August 8th, 2007, 06:59 PM
My wife is an attorney, and has worked for a few of the largest law firms in America. They bill and track hours very, very carefully. Yeah, they make money all sorts of ways as well including taking IPO's as part of their service agreements. (Which goes to my point of being willing to 'make a deal' on the rates.)

My point being that 'hourly efforts' is not the best way to bill your services. That you can break it down into any sort of increment you want- the service may or may not come out exactly to the 'hour'. But really what you are selling them is a SOLUTION to their problems. Bill for the production if you are selling the whole package. Bill by the day-rate if you are selling them you 'service' and require a time element. And in my case, I don't break my 'days' down into half day increments. As we've pointed out, it's not effective.

Essentially we agree on the same point.