- Best exposure latitude video cameras?
- To All Those With FilmFx
- Web design software for Mac
- Question about lighting and slow motion
- Format for Broadcast Use
- Why are camcorder imagers so small?
- Laser Laces - Affordable Fiber Optics for SFX
- Rehearsals with actors
- Properly securing a cemetery location
- Mixing 24p with 60i: a creative approach or just distracting?
- Im New
- Short films.
- making the blue channel look better??
- Excessive Camera Motion?
- 35mm EOS adapter vs. GG differences?
- XL1/Xl1s for Indy Film
- Good Reference Source for Color
- Living with a WIDE D.O.F.
- Progressive vs. Progressive
- How best to shoot from the inside of a Helicopter?
- 24p or 25p for film transfer?
- Interviewing prison inmates: Who do I contact for this? (Advice on shooting a doc?)
- Broadcast of Macy's Fireworks on NBC
- Some filmmaking links
- Is 24p dying?
- cokin shade filter
- de-interlacing high shutter speed
- New Film look DV short
- Script Writing and Digital Pre-Production Software
- Imitation film look technique
- Simple Question: DV to 24p
- Looking for 3x3 Filters sources
- 24p Footage Online
- Recreating a look
- Ultra Cheap greenscreen
- "Cinema Guild" wants to distribute my doc, any comments?
- Camera motion -- how much is a good thing?
- Need help and advice with dolly crew
- Shot lists, scene breakdowns...which is which, and what comes first?
- XL1 for 1:85 ratio when transferring to film?
- Best Quicktime codec for 'Look'
- Film Synopsois and Breakdowns for festivals
- Shutter speed
- Schneider Digicon Filters?
- Moving Video Footage from Computer Screens?
- Dvx100 film look footage
- Camera zoom vs camera push
- Undercranking
- What's the 60ito24p method that gets closer to 24p FilmLook, not the 24p SinCity Look
- A few basic questions...please help.