- audio cable versus coat hangers
- Best Shotgun/XLR Adapter combo?
- Voice over enhancement with Final Cut Studio 2
- Live Band Audio... Feed was too loud!
- Has anyone ever used QuikLok Mic Stands to boom?
- line in question on the PD-170
- Thoughts / Experiences with MXL Mics?
- Under camera mount for supporting wireless receiver.
- Fostex PD-6 vs. SD 744T
- Rycote undercovers
- Resume?
- Fostex FR2 LE
- Zoom H2 and HV10
- MXL Mic Mate XLR to USB Mic Interface with Phantom Power
- ? re: external power to wireless receiver
- Experience with PSC and repair
- Stage performance audio setup
- Help - What´s wrong with my FP24?
- Wireless strategy
- Shooting indoors around HVAC
- Will wireless Senn units work in Africa?
- Need recommendation for audio equipment
- Best Noise Reduction
- How do I record a commentary soundtrack?
- New Device...Ipod Recording Dock to replace Zoom H4?
- Another interesting 8040 test
- Ipower
- Audio Drifts
- Line/Mic level
- oktava-schoeps compared by unqualified guy
- schoeps blm
- Time to buy a field mixer. which one?
- Which Beacktek?
- Not Responding (computer v Zoom H4)
- SignVideo ENG-44 mixer problems
- the difference between 16/44 and 24/96 can not be heard
- Wiring mic info needed
- Sony PCM D50 Review
- Cooper Sound Systems No More
- Changing Sennheiser Frequencies
- Lavs and chest hair
- Lectronsonics RF theory seminar
- Having a hard time finding COS-11's.
- Is there any mobile Audio Processing box for Camera usage?
- Thinking about this workflow
- What levels should I be shooting for?
- best sub-$500 wired lapel mic?
- Radio Signals in my recording
- How loud should internet or DVD audio be?
- Two-shot improv coverage