- Bose QuietComfort 2 Headphones For Monitoring In-Camera Audio?
- Using in-ear monitors to...monitor
- Pro digital recorder
- Basic settings vs Beachtek
- Recording an Upright Bass
- Which Shotgun
- M/S Recording for Street Musicians?
- Sanken introduces new COS-11 variant lav mic
- Will C class be illegal in EU?
- fireface 800
- Do you ever get in the trunk?
- Sennheiser MKE400 lost cover
- Sennheiser G2 Lav System issue
- Standards
- Is it worth buying an expensive 'brand' blimp?
- Toast 10 (Music Creation Software?)
- Dual Wireless mic inputs on FX1?
- Struggling with a Beachtek DXA-FX
- if you had 1000 what would you get?
- 302 and Beta SP
- Does this Right Angled XLR cable rotate?
- Phantom power out of Edirol R09 field recorder ??
- Audio Channels
- £200 which wireless system for wedding
- Matching narration from different mic sources
- New Zoom H4n
- Last one on hypercardioids, I promise
- Wireless Lav mics on a HDR-FX1 & monitoring?
- AT825 questions
- Podcasting w/Shure SM57?
- Worthwhile To Attach External Mic to Canon HG20?
- Which fuzzy wind screen is better Rode or Rycote?
- Identifying Frequency in S/F9
- Location Audio Workshop in Baltimore Sat. Feb. 21
- Buying a Sound Rig and Moving to Italy
- Removing glue residue from mic body
- Looking for Mic Replacement Suggestions
- Can't Figure out Audio with HVR-A1U
- Recommendations for protools me system
- What Kind of Mic to Record Indoor/Outdoor Ambiences
- Cheaper alternative to Sennheiser MKH-50
- Sports press box audio
- Comments on ATR 35s Lavs?
- My new Rode NTG1 is hissing.....
- Audio for feature film: Where do I start?
- Oh great and wise audio overlords..
- Use a Sony PCM-D1 or a PCM-D50 as a camera microphone..?
- Minature mics
- POSTAUDIO: Recreating "sounds-thru-the-wall"
- Location Audio Workshop-Baltimore-Feb 2009