- Izotope RX 2 vs Adobe Audition dilemma
- Izotope RX and Final Cut X
- Closed headphones for loud sets?
- rode smartlav
- Lavaliers and clothing sound
- Micing a person
- Low levels
- Need a kind soul to collaborate on audio post production
- Yamaha C24 vs Yamaha 2G
- Simplest Lip-sync equipment?
- Need help with Audio Setup for Outdoor/Nature Video, please!
- Time code: how
- When is a mic too good for a camera?
- Altering dialog
- AT 829cW lavalier with broken wire - Fix?
- Hirose vs XLR brkaway cables for SD442
- Sound Devices 302 weird clicks/pops
- Studio in a portable box
- Replacing jack on Sennheiser EW mic
- Need assistance
- 2 lavs -> H4N -> 5D mic input tips?
- Best simple, guerilla sound set-up for run-and gun live music + interviews?
- AT 875r Characteristics?
- K6 rd
- Is there a 4 XLR input audio recorder out there?
- Lower price on Tascam DR-680
- Shortening Audio Technica 3350 wire
- Is there any use for a HHB Portadat TC?
- Blackmagic Cinema Camera - Recording Audio
- Sennheiser ME66 K6 level problem
- Going from SD 442 to 552?
- What do I do with a juicedlink 431??
- Sony ECM-AW3 Bluetooth microphone system
- Looking for a Component Video Cable.
- 3D Mic
- My recently made Lavalier mic suggestion needed
- 49.89 MHz in Austria?
- dynamic range
- Cheaper microphones and quality levels
- Tascam DR-60D vs Zoom H6
- Turn Windjammer inside-out when not used?
- Audio loudness/normalisation
- Rode VideoMic HD
- Anyone have any experience with Sennheiser XSW 12 wireless mics?
- Is this audio acceptable for a film submission to festivals ?
- Syncing live performance to studio performance
- Gain level vs. input volume level?
- Good price cable.... NOT
- What am I losing by using an EK300 IEM receiver to Camera Mic In?
- Lav + H4N + Magic Lantern doubts