- You get what you pay for.
- Which Mic for on-cam?
- XLR and radio mics
- A few critical output/mix questions
- Schoeps CMC5 + MK41 case
- Stealing from mixer bus inserts
- Getting a feed from a mixer
- How do you guys store your audio gear?
- Does this exist?
- Looking for a "radio" plugin
- A question of wind and softies
- Reporter Microphone
- Under the gun: how best to take my 2 hr cut from Vegas, repair in S.F and return?
- AT8415/Mini-Rover
- Shotgun Mike for the HD10U?
- Concert...PLEASE HELP ME
- Shooting a family doc - how to get good audio?
- Help with my wireless mic
- Any experience with Aardvaark USB 3?
- Audio Computer Questions: Monitor, Sound Card
- Near-field monitors - connection help?
- Analog Nagra recording for DV
- Mackie CR1604 - Balanced L/R line outputs?
- Limiting vs. Compression vs. AGC
- The "Jimmybox"
- Fostex MR8...Mic suggestions?
- Azden SGM-1X mike with a Canon Elura 70?
- Wireless and mixer question
- Audio before video?
- Sennheiser EW 500 drop out
- ME66/K6 hums
- Pre-Amps, Mixers and One Slow Learner
- Mic for narration
- Sound Forge crashes Vegas
- Wireless Freq Range?
- ADR for DV And Film
- Recording Concert Music
- AKG SE300B seems hard to find
- Can ME2 be used as a wired mic?
- 1/8 to XLR
- Any tricks to learn from this? (aside from spending a fortune on equipment)
- Technica 822 Settings?
- A definitevely comparison between Sony UWP-C1 and Sennheiser Evolution G2 ???
- Which wireless system?
- The mics CSI uses
- Audio: Key Change
- telephone tap/minidisc
- improving audio on Sony VX2000
- M-Audio Firewire 410, Echo Layla 3G, or MOTU 828 for new soundcard?
- What's the word on the new Sony Hi-MD (minidisc)?