- dynamat on camera
- PreSonus FirePod
- Decoding Mid-Side Recording
- Tascam HD-P2 stereo recorder - user comments?
- Need help..Hyper & shotgun comparisons..Need to purchase.
- So pro-world means "Mono" recording ?
- New Portable Recorder
- Tensimount: Another Homemade Boompole Option
- Good mic with minijack for an FX1
- What can I do about cellphone interferance?
- Monitors - need advice
- Alesis Multimix 16 USB
- First project - Documentary audio cleaning...
- RadioYourWay™ LX
- Small mike for Pan. GS120
- How to convert mini-stereo to XLR?
- Low lvl on mixer?
- Inexpensive...or is it just a CHEAP monitor solution
- One tip
- Any thoughts on this mixer?
- Adobe Audition 2.0 out now!
- Multitracking Quandary
- Surround Sound decoder
- looking for pro audio monitors for pc!!
- Mic'ing a Microphone
- basics of good sounding audio for your flim/video
- Ntg-1
- PSC Promix 3 Improvements
- can you mount a schoeps/oktava in a 416 windjammer?
- Handheld mics- which sound best w/wireless plugon
- at897 problem
- The powerful background sounds
- Using a Mozart song in my independent film.
- Monitors: How loud?
- Red Carpet events - stick mic help
- For starters...
- Rode VideoMic + Boom Pole?
- Headphone monitoring problems
- Splitting One Mic to Two XLR's?
- SONY WRT & WRR 805 UHF Pro Radio/wireless - Anybody tried?
- to mix or not to mix
- Sony HDVs' internal mike for ambient recording in nightclubs
- Alternatives to Sennheiser's blimp
- Music2hues...ever buy from these guys?
- Azden ULX200 system (UPR200)
- Do I really need expensive headphones?
- Is headphone interference normal or.......
- Record level - using SONY ACID
- HELP PLEASE...problem mounting videomic on GS400
- How do I connect my studio monitors to my laptop?