- Filming at the highest quality?
- Focusing in high wind
- Firewire Problems Xl!s
- Wide angle choices
- What'd I do wrong this time?
- On Camera Light for XL1s
- Which lens option is best for XL1?
- we need more lenses
- a little white star in lineland
- Buying a used XL1s
- Odd Audio Buzz: Looking for answers/solutions
- Another XL1-S "28 Days Later" article, in American Cinematographer!!!
- Good News!!!!
- Lurker/Newbie about to make a good decision?
- Recording from another camera?
- AT 835B Shotgun
- Ever heard of Opteka wide angle?
- Problems with tape mechanism
- XL1 and color balance manipulation
- How do you guys shoot with out an LCD screen?
- XL1 vs XL1s vs GL1
- 'Climatizing' the XL1?
- Normal or Frame mode for PAL conversion?
- Audio is muted upon tape loading & ejection. Why?
- is there play in the XL-1S firewire connection?
- Does XL1s time-lapse do damage?
- dialing down and image stabilization
- The Movie Look
- Little rubber bit.
- XL1Solutions.com XL-1 to Arri PL Adaptor
- New user
- Hoodman how-to
- Cokin bellows hood
- The Arriflex PL-XL1 Lens Adaptor ?
- xl1 power standbye
- the GL2 has more pixels?
- XL Anamorphic Adapter vs. DV Anamorphic Attachment
- XL1s In Use in the War on Terrorism
- Maintaining and Cleaning my xl-1
- XL-1 Auto Power Off?
- WD-58 Hood
- XL1s Stereo 1,2 and dubbing
- anyone using nikon 35mm lenses with the XL1s
- Mixing XL1s and Gl2 footage
- Hot pixel in XL1 CCD block
- XL1s lens mounts
- 3CCD Lens dirty on the inside
- AB batteries/UL2 + Sennheiser Evolution: noise!!
- Low light recording
- need a macro lens for xl1