Menu-wise, there are many similarities and many differences. As noted I won’t go into them here, the manufacturer’s websites have a fair amount listed and others will cover all of this. Suffice to say that both have many of the desired features such as image flip, focus assist and the like. The 5″ uniquely has framelines; the DP6 has a custom scaling feature. Whether you need either feature depends on how you use these monitors.
Author Charles Papert, S.O.C.
I can’t reveal details of what we were using this rig on, but I thought you guys might like to see the Canon EOS 5D Mk. II all dressed up for use on a large-scale production. That’s a Panavision Primo…
While a lot of buzz at this year’s NAB was focused on 5DMkII’s on exotic shoulder mounts, LED lighting and anything to do with 3D, not much buzz was left over for the venerable Steadicam and variations thereof. In the…
This is a brief demo clip with Steadicam Pilot and my Canon XH A1, shot available light, camera on fixed focus and auto-iris. I focused mostly on incorporating extensive booms into this sequence to make full use of the Pilot…
There is plenty of documentation in the form of a manual and DVD to explain the balancing process. For many initiates this is a confounding aspect of Steadicam but I encourage all to take their time, read carefully and understand…
See the official Steadicam Pilot product page at http://www.tiffen.com/pilot.html When Garrett Brown was first developing the Brown Effect Stabilizer in the early 1970’s, the cameras he chose for his prototypes were then-current bantamweights like the Éclair ACL and the Arri…
Last weekend I attended an awards ceremony, and after congratulating my old friend Garrett Brown there on the recently announced Merlin vest and arm, he suggested I come over and sniff out the prototype. Today I headed over to the Tiffen facility in Glendale…
Out of Taiwan comes a new competitor from a company with the curious name of Fishbone, which makes me want to dig out the old ska/punk albums and give them a spin. Their top of the line product is the XTR 700…
I’ve been a long time Mini35 fan, since I was involved with the Jerry Seinfeld/American Express webfilms a couple of years back. I was impressed enough with the latest model to buy one last year along with a Panasonic AG-DVX100A, and have shot a number of commercial and narrative projects with the combination.
I placed our lovely model Amy (who, in the spirit of proper disclosure, is also my girlfriend!) a few feet away from a hot section of sunlight on the granite floor of the courtyard, which gave her a nice upglow. No additional lighting was used.