The HPA Tech Retreat is an annual gathering in the desert east of Los Angeles (in a posh resort, mind you; it’s not like we’re out sitting in the hot sun among the Joshua trees) where film and TV industry…
At NAB 2013, Sony announced the raw upgrade for the NEX-FS700, allowing this $7500 camera to send raw 2K and 4K video to external recorders. In the middle of May, Sony sent me a prototype raw-enabled FS700 camera, an IFR5 raw adapter, and an AXS-R5 recorder. After ten days of frantic shooting, grading, and editing, Art and I presented “FS700 in the Raw” at Cine Gear Expo. Most of what Art discussed he’s written about here; what follows is my part of the presentation.
Adam Wilt and I have had a 4K-enabled Sony FS700 to play with for a week. Come see what we’ve discovered about the latest entry into the 4K race to high resolution history. The FS700 has a lot in common with this camera — the Bell & Howell 2709 hand-cranked silent film camera (pictured right). It is 90 years old and it still works. I’m not saying that the FS700 is old or obsolete or can’t record sound; rather, I’m saying that, like the FS700, it’s possible to make beautiful images with the 2709 if you know what you’re doing. Adam and I will be presenting a 90 minute talk about shooting 4K on the FS700 this week at CineGear in Los Angeles. If you’re attending, please stop by the Sherry Lansing Theater at 2:15 on Saturday, June 1st.