Rather than bloviate, I’ll just fling the pertinent slides at you:
![NAB14P1020264](https://www.dvinfo.net/wp-content/uploads/2014/04/NAB14P1020264.jpg)
In the scrum, visibility can be… challenging.
![NAB14P1020266](https://www.dvinfo.net/wp-content/uploads/2014/04/NAB14P1020266.jpg)
4K Varicam held aloft to critical acclaim (or at least a photographer’s feeding frenzy).
![NAB14P1020269](https://www.dvinfo.net/wp-content/uploads/2014/04/NAB14P1020269.jpg)
Big news #1: The Varicams will record ProRes as well as AVC-Ultra… if only in HD.
![NAB14P1020270](https://www.dvinfo.net/wp-content/uploads/2014/04/NAB14P1020270.jpg)
Big news #2: Codex will offer a dockable raw recorder: 4K at up to 120fps.
![NAB14P1020271](https://www.dvinfo.net/wp-content/uploads/2014/04/NAB14P1020271.jpg)
Codex’s Rainer Hercher cradles a Codex-equipped 4K Varicam.
Interestingly, the GH4 wasn’t discussed. It appeared unheralded on a single slide, but wasn’t a topic of discussion, though it’s on the booth.
Disclosure: There is no material relation between me and Panasonic, and I received no special considerations or compensation from them for posting this article.