Tools for capturing images and sound.
The PD150’s on-board audio can be used successfully for audio recordings if you know its limitations. Critical audio recording is still best done with dedicated audio recording hardware using high-performance microphones and preamplifiers.
Karl Horn of CineTech is highly regarded for his superbly crafted pro shooting accessories for the film and high-end video industries. After adapting his follow focus, matte box and Hip-Cam rigs for the Canon XL1S, he recently did the same for the Sony PD150. Here are some shots of his gear from the NAB 2002 tradeshow in Las Vegas.
I thought we’d start off with a comparison of the PD150 and VX2000… in some ways they’re the same; in others, they’re different.
If you own or are thinking of buying the Sony PD150, you’ll need a short XLR cable to plug the mic into the camcorder… and you will find that all pre-made store-bought short XLR cables use straight XLR connectors.
The “Big Guy” is Canon’s largest EOS prime lens, a ridiculously huge 1200mm monstrosity. There are only about ten of these things in existence. Knowing that I had a rare opportunity here, I thought I would take some photos for all of you to drool over.
In January 2001, we needed to send a Sony DSR-PD150 on an expedition to the summit of Aconcagua, at over 7,000 metres, the highest mountain in the Andes. We needed protection from the environment but failed to find a suitable protective jacket on the market. The best of which fell short of our needs in terms of both protection and ergonomics, it simply rendered the camera almost unusable when fitted. The only solution was to design and produce our own.